Here You Can Get Beauty Tips,Fitness Guide,Diet Plans,Fate Control Exercise,Beauticians Talks,Interviews,Fashion Updates,Beautiful Celebrities,Cosmetics Rates,Jewelries Design.
Among Us crosses over with three different universes today, releasing new skins based on Halo, Ratchet & Clank, and Ghostface from the Scream franchise. Players across the board can acquire the famous slasher simply by logging on, while fans on Xbox and PlayStation can get their respective platform mascots on their versions only. The Halo bundle is also available for Microsoft Store players, which will be relevant mostly to anyone playing Among Us on PC via Game Pass.
Adding Master Chief armor and a Guilty Spark pet to the social deduction phenomenon is appropriate, as the Halo TV show is just starting its Paramount+ run. The show stars Pablo Schreiber as the famous space marine and takes place in a timeline parallel to the story told in the games. While fans have decried some of the creative decisions with the program, most outside of the gaming sphere have found it a serviceable piece of sci-fi fit for the streaming era.
Welcome, Spartans
exclusive @Halo Cosmetics just dropped on Among Us for all our Xbox and Microsoft Store players!
🟢 Spartan Helmet
🟢 Spartan Armor
🟢 Guilty Spark Pet
hop on now to get these collab items for free – just watch out for any Impostors pic.twitter.com/cVbXTdUxT2
— Among Us friends list out now (@AmongUsGame) March 31, 2022
The Scream costume fits in less with Among Us‘ space setting, but it does make sense as far as timing. The official tweet about the Ghostface skin advertises that this past January’s Scream is headed to home media on April 5, making the whole deal a convenient marketing move that benefits everyone. It’s not clear if anything is happening in the world of Ratchet & Clank to warrant a new skin since Insomniac Games has only announced its Wolverine and Spider-Man 2 titles, but it’s likely that players on PlayStation won’t mind the free content drop that was announced alongside the port.
The film Nitram shows the events that led to one of Australia’s most shocking tragedies, 1996’s Port Arthur shooting. An uncomfortable watch, it features a stellar performance by Caleb Landry Jones in the title role. It is now in theaters, digital rental, and on AMC+.
“Nitram (Caleb Landry Jones) lives with his mother (Judy Davis) and father (Anthony LaPaglia) in suburban Australia in the Mid 1990s. He lives a life of isolation and frustration at never being able to fit in,” says the official synopsis. “That is until he unexpectedly finds a close friend in a reclusive heiress, Helen (Essie Davis). However, when that relationship meets a tragic end, and Nitram’s loneliness and anger grow, he begins a slow descent that leads to disaster.”
ComingSoon Editor-in-Chief Tyler Treese spoke with Nitram director Justin Kurzel about the film, the response it has received both worldwide and in Australia, and what lessons we can take away from it.
Tyler Treese: Congrats on the film. I thought it was really moving and I feel like it’s going to open up a lot of really difficult, yet necessary conversations. When you set off to make this film, what was your goal with it?
Justin Kurzel: Well, Shaun Grant had written it because he was living in Los Angeles and had some really close calls with some mass shootings that had happened there. And he just went home one night and just wrote this in a kind of fever. And he wrote it to really understand and highlight the importance of gun reform, and he wanted to do it through an Australian story. We had an event here in 1996 that changed the country forever and created some of the strongest, sort of, gun reform laws that have ever existed. So it was really about sort of taking an audience into the footsteps of an individual that you get to know, that you start to recognize, that you get familiar with, and then really kind of seeing and understanding how they, at their most dangerous, come in contact with this weaponry that you wouldn’t have on a military field and being able to sort of get that weaponry without a license and without registration and buy it, like you’re buying golf clubs. So there was something, when I first read the script, there was something about that scene, sort of having so intimately with the character that was incredibly powerful in regards to the absurdity of someone like this, being able to get access to these sort of guns.
When this occurred, some Australian media were criticized for their coverage, as they were manipulating images and trying to really just sensationalize something that is already so horrific and doesn’t need sensationalizing. When you’re dealing with such extremely sensitive subject matter, can you discuss just how you handled the subject matter?
I mean, look really delicately. I mean, I thought as though the script was incredibly sensitive and respectful in the first place, but, I think you have to go into making a film like this knowing that there are going to be those that are going to be incredibly upset about it being made, and there were, and there were those in Australia that believed that it shouldn’t have been made and that telling a story through the point of view of a figure like this is wrong. And that’s when you have to just start questioning every step you’re taking as a filmmaker and really trying to interrogate where are we and where’s the line here, and are we being as sensitive as we can be? But at the same time, asking really important questions from the story and from the characters. So, it’s been the hardest film for me to make because there’s an enormous responsibility in making it, and also knowing that there are those don’t want it to be made.
I know there were some of the victims’ family members that spoke out and were not being for the film. Were you able to have any of the victims’ family members consult on it or speak to them for any input?
We reached out in our own ways and there was some that wanted to engage and got back to us. There are others that obviously didn’t want anything to do with the film, and then when the film came out, there are those that sort of felt as though they weren’t contacted. It was a really tricky process because, usually with a film like this, you have a victims of crime group that is part of the government that allows a conduit to be between the filmmakers and the families. Unfortunately, the victims of crime here in Tasmania decided not to be part of the film. So it was really left to us to be able to kind of reach out, but at the same time, try not to sort of impose ourselves on those that don’t wish to engage. So, that’s been quite a long process and there are those that we could speak to, and then there are those that sort of didn’t want to or later on, sort of felt as though they wanted to reach out and sort of talk about their dissatisfaction with the fact that the film was being made.
How has the reception been in Australia versus worldwide?
Well, just in Tasmania, it’s been really interesting, because we made the choice to not advertise it. There were two cinemas in Tasmania that did decide to show the film, but we were very conscious that the cinemas had asked of there not being posters around and there not being anything that was going to be in the face of some in the public that didn’t want to see the imagery and to see the posters, or any advertising. So, it did play here and it was quite extraordinary. There were an enormous amount of people that actually came and saw the film. It had some of the best numbers were actually in Tasmania, and I’ve been quite astonished by the sort of discussions that have happened from it, especially from young people. A lot that were not born by 1996 or were extremely young, suddenly sort of wanting to know and wanting to sort of understand what this sort of deep, deep tragedy was that is very difficult for the state to talk about. So, it’s very much so there have been those that have been very vocal and don’t want…didn’t want the film made, but there’s also been many that have wanted to know more about it, and understand it.
You mentioned how Shaun wrote this after coming into close calls himself in America, and there’s this really poignant line at the end of the film, when it’s doing the kind of wrapping up ending bit, where it says that no state or territory has been fully compliant with the National Firearms Agreement, and there are more guns now in Australia than before. This is an issue that’s far more than Australia, obviously the United States and many other countries. Do you kind of feel like this film, it’s sort of a warning that history can, and sadly likely will, repeat itself if changes aren’t made to how we’re dealing with both guns and mental health as well?
Yeah, I think so. I mean, I think memory is really important, and it allows us to understand how we want to move forward in the future. Dark memories are things that we need to talk about and to understand. And I was deeply shocked that what I thought was super tight gun reforms in Australia…some of them hadn’t even gone through. Others, there’s been lobbying to loosen them, and yeah, I felt staggered that there were more guns in Australia than there were in 1996, especially for an event that was so seismic here. It’s a very different conversation when we start talking about America, and obviously, you would be aware of that more than anyone of just how many mass shootings there are in America each year to the point where it’s almost daily. So, I understand and appreciate that in Australia, even when those guns came out on set, it was really shocking and really unusual. We just don’t see them, and a lot of that has to do with the response and the reaction that was so compelling after the mass shooting of Port Arthur.
It’s a very human story. It’d be very easy to just completely demonize somebody that’s done the unthinkable and very much unforgivable, but you see the person in this film is deeply flawed and nothing’s glamorized. Can you speak to just how audiences have come away from the character of Nitram?
I think really uncomfortable, because I think there is this feeling at the beginning where the family and the street and the world, and this sort of character feels familiar and recognizable, and I think it was what I found so interesting. I mean, even talking to people down here about him and their memories of him are really visible of someone that you remembered seeing down the street and, they grew up in a pretty affluent area of, of Hobart. And, I think that that’s what’s really powerful about the film, is that you sort of get to know this family and you get to know this person and, they start to sort of dismantle before your eyes. And, you’re sort of seeing it, you’re seeing this sort of slow-motion car crash. You’re seeing the moments in which they could sort of change, or if this happened, or if someone had said that, or he hadn’t walked into that shop.
I think that was sort of part of how powerful the script was that Shaun wrote is that it seduces you into this world and into a sort of normality in a way, and then starts to kind of step-by-step, show you how this character becomes so dangerous and makes such horrific choices. That was always what was so powerful to me, is that gunshot scene, that the moment that you start to distrust this character, the moment that this character starts to feel extremely dangerous and unhinged, and a real outlier, more and more isolated, they walk in and start buying weaponry, like they’re buying golf clubs, without licenses or registration. And, the absurdity in the horror of that is what I found so, sort of, powerful in the screenplay.
I kind of came away somewhat heartbroken from the film, just seeing all these red flags and these failings along the way. Just the proper steps weren’t taken. A lot of people had their hearts in the right place, but it still wasn’t being handled in the proper way. To see it all laid out, and to have done research on the mass shooting itself and to see these events just play out in this film, it’s just so eerie.
I think there’s an element of the film that is about sort of caring for each other. I felt when I was filming it, I feel like I know this person from my childhood, you know? I know that’s the dude I crossed the road to not pass. I know that street, I know that family, that mother, I know what that fatigue looked like. I think that the film is sort of asking us to look out for each other more. That we all have a sort of responsibility to care for those that are starting to fall between the cracks and because things turn bad pretty quickly.
Apple TV+ has released the first-look photos for its upcoming limited drama titled Black Bird, starring Golden Globe winner Taron Egerton. The psychological thriller will be available for streaming on Friday, July 8 with the first two episodes. After the premiere, it will be followed one new episode weekly every Friday.
The Black Bird photos, which you can check out below, provide us with our first look at Egerton as Jimmy Keene and Paul Walter Hauser as serial killer Larry Hall.
Black Bird is based on the true-crime memoir In with the Devil: A Fallen Hero, a Serial Killer, and a Dangerous Bargain for Redemption by James Keene and Hillel Levin. Described as a gritty and suspenseful drama, the series around a convicted drug dealer who has been tasked to befriend a serial killer and make him confess about the whereabouts of his victims.
“Inspired by actual events, when high school football hero, decorated policeman’s son and convicted drug dealer Jimmy Keene is sentenced to 10 years in a minimum-security prison, he is given the choice of a lifetime — enter a maximum-security prison for the criminally insane and befriend suspected serial killer Larry Hall, or stay where he is and serve his full sentence with no possibility of parole,” reads the synopsis. “Keene quickly realizes his only way out is to elicit a confession and find out where the bodies of several young girls are buried before Hall’s appeal goes through. But is this suspected killer telling the truth? Or is it just another tale from a serial liar? This dramatic and captivating story subverts the crime genre by enlisting the help of the very people put behind bars to solve its mysteries.”
The series is developed and executive produced by Dennis Lehane. It stars Taron Egerton, Paul Walter Hauser, Sepideh Moafi, Greg Kinnear, and Ray Liotta.
Black Bird is executive produced by Keene, Egerton, Michaël R. Roskam, Richard Plepler, Bradley Thomas, Dan Friedkin, Ryan Friedkin, Alexandra Milchan, Scott Lambert, and Kary Antholis. Roskam, Jim McKay and Joe Chapelle are also set as directors.
E3 has been struggling for some time. And that turmoil hasn’t stopped since the digital version of the gaming-centric event has reportedly been canceled.
According to Razer PR Lead Will Powers, the Entertainment Software Association sent an email with the news that IGN was able to confirm with its own report. A digital event was reportedly talked about, but didn’t move forward with enough momentum. That same report also states that the ESA is planning a comeback event in 2023, which it later confirmed in a statement. The statement reads:
“We will devote all our energy and resources to delivering a revitalized physical and digital E3 experience next summer. Whether enjoyed from the show floor or your favorite devices, the 2023 showcase will bring the community, media, and industry back together in an all-new format and interactive experience. We look forward to presenting E3 to fans around the world live from Los Angeles in 2023.”
The ESA had canceled the in-person event in January 2022, but did not speak of a possible digital show, only saying it was looking “forward to announcing more details soon.” The words implied a digital show, but it did not come to fruition. IGN’s sources told the outlet that the ESA didn’t seem to have a plan on any sort of event and had internally decided on not having a physical, in-person E3 way before the official announcement.
The ESA also pulled out of E3 2020 over Covid concerns, which many saw as convenient since the controversial, influencer-focused show announced for that year had rubbed some the wrong way (not to mention the faulty site security that ended up leaking private details of press, influencers, and analysts in 2019). The ESA canned the physical show in 2021, too, but held a digital version that was widely criticized, mostly because of its lackluster companion app and disheveled presentation.
E3’s slow demise has come right as Geoff Keighley’s Summer Game Fest has risen over the past couple years. The showcase has held plenty of interviews and reveals (including the Elden Ring gameplay reveal) in place of an in-person E3 show, which all came together in lieu of him announcing that he wouldn’t be participating in E3 2020.
Bruce Willis alarmed a film crew two years ago when he misfired a gun loaded with a blank - and last year caused confusion by asking what he was doing on a film set.Now we know why - the 67-year-old actor has been diagnosed with...
Disney+ has revealed the full list of new movies and TV titles available on the streaming service this coming April 2022. This includes the arrival of new episodes for Marvel Studios’ newest Marvel Cinematic Universe series Moon Knight and the animated revival The Proud Family: Louder and Prouder as well as the debut of the Ice Age animated shorts titled Ice Age: Scrat Tales.
Next month will also see the world premiere of Disney+ original film Better Nate Than Ever, which is a musical comedy starring newcomer Rueby Wood, Lisa Kudrow, Aria Brooks, and Joshua Bassett. Additionally, 2005’s popular sports comedy film Herbie: Fully Loaded starring Lindsay Lohan will also be available for streaming this April.
New footage of Will Smith's now infamous slap has shed light on his wife's reaction to him hitting Chris Rock.The video, shared on TikTok, appears to show Jada Pinkett Smith laughing at comments made by Rock in the wake of him being...
It has been nearly a week since Bridgerton returned for its second season. Now, series newcomer Simone Ashley has finally opened up about what’s next for Anthony and Kate.
Speaking with Deadline, the British actress confirmed that she and co-star Jonathan Bailey are indeed returning for Netflix’s upcoming third season of Bridgerton.
“We’re going to be back! Kate and Anthony are just getting started,” Ashley said. “We have the amazing Jess Brownell who is taking the lead as showrunner in Season 3. In Season 2, there was a lot of push and pull between Kate and Anthony, there were complications with the family, and then they find each other towards the end. I think everything is just starting. I’d like to see Kate just let go a bit more and play more in Season 3 and kind of swim in that circle of love together. I think they both deserve it.”
Ashley also teased that Kate will now be in control of the Bridgerton household as the new Viscountess, promising a “more heart strong” Kate Sharma.
“She’s in charge of the household now and she’s got big boots to put on. I think she can do it,” Ashley teased. “I want to keep that softness and vulnerability to Kate, for sure, and she can share that with Anthony. I’m just excited for her to have a home and to have a family. I’m excited to see her grow. I think I’d like to see Kate being much braver and less headstrong and more heart strong.”
Given that the latest season is still so fresh, story details about the third installment are still scarce. Following Daphne and Anthony, it’s also still unclear who will be the next main character among the remaining unwed Bridgerton siblings.
Bridgerton Season 2 is based on the second book of Julia Quinn’s Bridgerton novels, titled The Viscount Who Loved Me. The novel centers around the pursuit of a suitable marriage for the eldest Bridgerton sibling, Anthony, who is portrayed in the series by Jonathan Bailey.
The cast for Bridgerton includes Phoebe Dynevor, Golda Rosheuvel, Jonathan Bailey, Luke Newton, Claudia Jessie, Nicola Coughlan, Ruby Barker, Sabrina Bartlett, Ruth Gemmell, Adjoa Andoh, Polly Walker, Bessie Carter, and Harriet Cains. Also returning is Julie Andrews as the voice of Lady Whistledown. Joining them in the latest season are Shelley Conn, Calam Lynch, Charithra Chandran, Rupert Young, and Rupert Evans.
The series is being adapted by Scandal veteran Chris Van Dusen, who serves alongside showrunner and executive producer Shonda Rhimes and Betsy Beers of Shondaland.
According to Deadline, The Lord of the Rings alum Orlando Bloom and Golden Globe nominee Andie MacDowell have signed on for leading roles in the forthcoming action-thriller film titled Red Right Hand. The project, which hails from directing duo Ian and Eshom Nelms, is expected to start its production next month in Kentucky.
Red Right Hand will be directed by Ian and Eshom Nelms, who are best known for their works on Lost on Purpose, Waffle Street, Small Town Crime, and Fatman. It will be written by Jonathan Easley.
“The film centers around on Cash (Bloom), who is trying to live an honest and quiet life, taking care of his niece Savannah in the Appalachian hills of Odim County,” reads the synopsis. “When the sadistic Queenpin Big Cat (MacDowell) who runs the town forces him back into her services, Cash learns he’s capable of anything—even killing—to protect the town and the only family he has left. As the journey gets harder, Cash is drawn into a nightmare that blurs the lines between good and evil.”
Red Right Hand is being released courtesy of Asbury Pictures and Traction. Producers are Basil Iwanyk, Erica Lee, and Michelle Lang along with Asbury Park Pictures’ Mike Gabrawy, and Traction’s Jason Tamasco and Zak Kristofek. Taking on Executive Producer duties are Galen Smith and Marc Danon.
Bloom gained worldwide recognition for his roles in blockbuster fantasy franchises like The Lord of the Rings trilogy and the Pirates of the Caribbean films. He recently starred in the time travel drama film Needle in a Timestack, and is expected to reprise his role as Rycroft Philostrate in the upcoming second season of Carnival Row.
MacDowell is best known for her notable performances in St. Elmo’s Fire, Groundhog Day, Sex, Lies, and Videotape, and Four Weddings and a Funeral. She recently co-starred with daughter Margaret Qualley in Netflix’s limited drama Maid.
Prime Video’s Fallout TV series just got another cast member. According to a new report, Yellowjackets and Army of the Dead star Ella Purnell has joined the apocalyptic series in a mysterious lead role.
Variety’s report states that Amazon had no comment on who she would be playing. However, the outlet’s sources point to her character being “upbeat and uncannily direct with an all-American can-do spirit.” Fallout‘s usual time period matches the Americana found in the 1950s, so this doesn’t seem to out of touch for the series.
Fallout takes place after a nuclear war and the television series will feature Geneva Robertson-Dworet and Graham Wagner as showrunners. Robertson-Dworet has writing credits on Captain Marvel and the 2018 Tomb Raider film, while Wagner has experience as an executive producer on Portlandia, Silicon Valley, and Baskets. Jonathan Nolan is set to direct the premiere.
The Fallout series was launched in 1997 on PC by Interplay Productions. However, its popularity ballooned in 2008 after Bethesda released Fallout 3 for consoles and PC, which gave it an ambitious action spin similar to its The Elder Scrolls fantasy games. Since then, Fallout 4, the multiplayer-focused Fallout 76, and a mobile title Fallout Shelter have been released.
Fallout marks yet another fantasy or sci-fi series for the streaming giant. The company already has shows coming from The Lord of the Rings, Blade Runner, and Mass Effect, an initiative that came out of The Wheel of Time‘s historic debut on Prime Video.
Tom Parker has died at the age of 33.The pop star-best known as a member of boyband The Wanted - lost his battle with brain cancer on Wednesday, his wife Kelsey has announced.Kelsey wrote on Instagram: It is with the heaviest...
A new teaser trailer for the next episode of Attack on Titan Final Season Part 2 has released, and shows off what looks to be an action-packed episode filled with plenty of Titans.
The next episode of the series (the 87th of the series in total) comes following a brief delay, as the episode was shifted back a week to accommodate special programming in Japan. The newest episode seems to kick off the beginning of the end, with forces looking to take down Eren and his friends.
Check out the Attack on Titan Final Season Part 2 Episode 87 trailer below:
The second part of the final season of the hit anime will be available on Crunchyroll and Hulu. The first part premiered on NHK General TV back in December 2020.
Attack on Titan began as a manga series written and illustrated by Hajime Isayama. It was serialized in Bessatsu Shonen Magazine between September 2009 and April 2021. The first three seasons of the anime television adaptation were produced by Wit Studio, and aired between April 2013 and July 2019. While the manga has concluded, the anime is still ongoing.
The Attack on Titan franchise has seen much success since it began in 2009 winning several awards, and becoming one of the best-selling manga series of all time. It has spun into other media as well, including video games and a live-action film.
Over the last several years I’ve become an avid soundtrack collector. My collection is still relatively small, but I love to showcase them in my office on the off chance someone visits and take an interest in my hobby. I recall telling a coworker about my side project and was shocked to hear him say it was a waste of time because I could download the soundtracks for free online.
“It’s not just about the music,” I said defensively.
I imagine famed “ball hawk” Zack Hample engages in such conversations on a regular basis. To date, the man has collected 10,000 baseballs from nearly every Major League Baseball venue throughout his lifetime. Many of these balls are valuable pieces of sports history, while a majority have no distinct value at all outside of representing a particular time and place where Zack spent a Thursday afternoon.
The documentary Zack Hample vs. the World chronicles Zack’s ongoing mission to collect as many baseballs as possible. Over the course of 90 minutes, we get to know this eccentric individual better and learn what makes him tick. To many, he’s a bit of an oddity. A trip to his home reveals a massive, 280-pound ball made of rubber bands — a project he’s worked on since he was 4-years old — along with a wallpaper comprised of celebrity photos and a massive pillow collection. He also holds the world record for Arkanoid and spends a lot of time at Scrabble tournaments.
Zack doesn’t drink, doesn’t smoke and has never tasted Coke or Pepsi. He had few childhood friends, as his personality put him in the crosshairs of bullies.
Yet somewhere along the way, Zack developed a love of baseball. He played the sport as a kid, but never made it professionally. The doc tries to connect Zack’s regrets at failing to achieve his sports dream with his obsession at collecting baseballs, but such connections are foolhardy.
Zack is merely a man living his best life. At some point, he stuck a middle finger up at the establishment and decided to spend his days doing what he loves. Naturally, this uncharted course incurs the wrath of onlookers who can’t understand why a grown man would spend so much time playing a boy’s game. Indeed, there are many scenes in Zack Hample vs. the World where Zack quite literally defends himself from the world.
At one point, he snags Alex Rodriguez’s 3,000th home run ball — it landed on his foot — and refuses to give it back. Media pundits, fans and other MLB players run Zack’s name through the mud. Eventually, Zack gives the ball back to Rodriguez, who generously offers money to charity in return. Later, he listens as fans chastise him for giving away a six-figure piece of history.
“I can’t win,” Zack says.
No matter. As explained throughout the documentary, catching baseballs is a science. Zack studies hitting trends so that he knows where to sit in big moments; and has a knack for willing balls to fly his way. Numerous broadcasts capture him celebrating a catch amidst legions of fans. His name is both celebrated and ridiculed by the media. He’s been featured on ESPN, Conan O’Brien, and numerous radio shows. MLB commentators point him out and other ball hawks worship him.
Through the years he’s caught home run balls from Barry Bonds and Derek Jeter. He caught Mike Trout’s first home run ball and the final home run hit at the fabled Shea Stadium.
“I don’t believe in fate, karma, or any of the garbage,” Zack says, “but there is something really weird going on … how I keep getting opportunities to catch these home run balls.”
Zack Hample vs. the World entertains thanks to its engaging subject matter, even if it stumbles whenever the filmmakers attempt to mythologize the man. Curiously, the pic strikes a dramatic chord that doesn’t mesh with Zack’s eccentric personality. It also spends far too much time painting a portrait of a victim rather than a larger-than-life sports fan.
Ultimately, I imagine many are jealous of Zack Hample’s carefree, spontaneous lifestyle. Who wouldn’t want to spend their days engaging in their favorite hobbies? Zack is a rare breed of man, the type of guy who does what he wants whenever he wants. While the criticisms lobbied his way undoubtedly sting, I suspect he enjoys the attention — and likely sits amongst his vast collection of baseballs with a wry smile etched across his face.
SCORE: 8/10
As ComingSoon’s review policy explains, a score of 8 equates to “Great.” While there are a few minor issues, this score means that the art succeeds at its goal and leaves a memorable impact.
Disclosure: The critic was provided a screener link for our Zack Hample vs. The World review.
According to Variety, Oscar winner Daniel Kaluuya (Judas and The Black Messiah) will be making his feature writing debut on the upcoming dystopian thriller film titled The Kitchen, with Top Boy star Kane Robinson and newcomer Jedaiah Bannerman attached for the leading roles. Production is expected to take place in London and Paris.
“In 2011, I was in my barbershop and there was a guy boasting about smash and grabs — kids doing million-pound heists in a minute, getting paid £200 to do it. I saw the potential to unlock a unique story door to the inequality, fatherhood, class, joy, resilience, courage, defiance, and care of London,” Kaluuya said in a statement. “Now, nearly a decade later, Kibwe Tavares, Daniel Emmerson and I are about to start production, immersing ourselves in a dystopian London that interrogates what ‘care’ means, at home and as a society, and the dangers in our future if we stay indifferent to everything around us. I feel blessed and honored that my first co-writing film credit is with this inspiring group of creatives, and with the support of Film 4 and Netflix. All of us are excited to watch Kibwe’s incredible, cinematic, electric vision come to life, and to create a moment that audiences want to take with them.”
The Kitchen will be directed by Kibwe Tavares in his feature directorial debut from a screenplay co-written by Kaluuya and Joe Murtagh, based on an idea by Kaluuya, Tavares, and Daniel Emmerson. Described as a futuristic dystopian drama, Robinson and Bannerman are set to portray the respective roles of Izi and Benji.
“‘Set in London, 2044, the film tells a future where the gap between rich and poor has been stretched to its limits,” reads the synopsis. “All forms of social housing have been eradicated and London’s working classes have been forced to live in temporary accommodation on the outskirts of the city, The Kitchen is the first and the largest of its kind, it’s London’s last village harboring residents that refuse to move on and move out of the place they call home. It’s here we meet Izi, a resident of the kitchen who is desperately trying to find a way out, and 12-year-old, Benji, who has lost his mother and is searching for a family. We follow our unlikely pair as they battle to survive in a system that is stacked against them.”
The Kitchen is executive produced by Kaluuya for 59% Productions, Michael Fassbender and Conor McCaughan for DMC Film, David Kimbangi, and Ollie Madden, with Theo Barrowclough producing.
The film is scheduled to make its debut on Netflix in 2023.
HBO Max has released the first teaser for its upcoming true-crime miniseries The Staircase. The series is based on the true story of Michael Peterson, who was convicted of murdering his second wife in 2003. The limited drama is scheduled to make its debut on May 5 with the first three episodes, followed by one new episode each week through June 9.
The video introduces a seemingly happy and loving family disrupted by the sudden death of the family matriarch, Kathleen Peterson. But what seems to be an unfortunate accident metastasizes into a chaotic murder case, when Kathleen’s husband Michael is accused of foul play.
The Staircase will be led by Oscar winner Colin Firth as Michael and acclaimed actress Toni Collette as Kathleen. They are joined by Michael Stuhlbarg, Juliette Binoche, Dane DeHaan, Olivia DeJonge, Rosemarie DeWitt, Tim Guinee, Patrick Schwarzenegger, Sophie Turner, Vincent Vermignon, Odessa Young and Parker Posey.
“Based on a true story, the limited drama explores the life of Michael Peterson, his sprawling North Carolina family, and the suspicious death of his wife, Kathleen Peterson,” reads the logline.
Peterson was arrested for Kathleen’s murder in 2001. He initially claimed that her death came as a result of a falling down the stairs, delirious from a combination of alcohol and Valium. However, the autopsy report refutes Peterson’s claims, as it was concluded that she died from sustaining multiple injuries. These included multiple blows to the back of her head with a blunt object.
The Staircase is written and directed by Antonio Campos (The Devil All the Time, The Sinner) and Maggie Cohn (American Crime Story), who are both serving as showrunners. The Max Original is a co-production between HBO Max and Annapurna Television, with Campos and Cohn as executive producers.
The hit anime series The Prince of Tennis is finally making its way to Crunchyroll’s streaming service, where it will land with all-new English dubs for most of the series.
The tennis-based anime is coming to Crunchyroll is it continues to merge its titles with Funimation’s catalog, and will see nearly the entirety of The Prince of Tennis make its way to the service, including:
The Prince of Tennis episodes 51 to 128
The Prince of Tennis II episodes 1 to 13
The Prince of Tennis II OVA episodes 1 to 7
The Prince of Tennis II OVAs vs. Genius 10 episodes 1 to 10
It is important to note that the first 50 episodes of The Prince of Tennis will not be available on Crunchyroll, hence why it starts on episode 51. This is because of a licensing agreement VizMedia has with Hulu, as the first 50 episodes are available to watch on that service.
The series will be available with English, Spanish, and Portuguese subtitles, but will also include a brand new English dub, which will cover up to episode 80 of The Prince of Tennis, and stretch across all The Prince of Tennis II content. The cast of that new English dub includes some familiar names, including actors who have worked on popular anime shows like Jujutsu Kaisen, Fullmetal Alchemist, and more.
“At the request of his father, tennis prodigy Ryouma Echizen has returned from America and is ready to take the Japanese tennis scene by storm,” reads the official synopsis for the anime. “Aiming to become the best tennis player in the country, he enrolls in Seishun Academy — home to one of the best middle school tennis teams in Japan.”
Jackass Forever is now available digitally and will arrive on both Blu-ray and DVD on April 19. The hilarious film features many returning stars, plus several new members of the Jackass crew.
“Celebrate the joy of a perfectly executed shot to the groin as Johnny Knoxville, Steve-O, and the rest of the gang return for another round of hilarious, wildly absurd, and often dangerous displays of stunts and comedy,” reads the official synopsis.
ComingSoon Editor-in-Chief Tyler Treese spoke with Jackass Forever stars Wee Man and Preston Lacy about their stunts, Johnny Knoxville’s foray into professional wrestling, and much more.
Tyler Treese: Wee Man, Johnny Knoxville has WrestleMania 38 coming up, but you had a big showdown with Brock Lesnar, who bodyslammed you through a table. Has anybody ever thrown you around like that before?
Wee Man: Not like that. That was probably the worst ever, and Preston, my buddy right there, was sitting right across from me and I had never seen him laugh as hard as he did when that was going down.
Are we ever gonna see you inside the ring, Wee Man?
Wee Man: I’m not gonna say no. So, that’s all I can say right now.
Preston Lacy: Why, has Brock Lesnar been talking some smack?
Wee Man: No, but I might fire up Brock Lesnar [laughs].
Preston, shitting your pants is never fun, but it does make for great content. When a bit goes wrong in that manner, you still have that upside of “Hey, at least this is going to be memorable.” Just not in the way you thought, right?
Lacy: Yeah. There’s a moment where it goes from God awful until you start to realize, wait a minute, this is probably going to make the movie just because it’s so messed up.
Wee Man, there was a big break between Jackass 3 and Forever. Talk me through getting back into that frame of mind, and once you start doing those stunts, do you find yourself back in that groove?
Wee Man: Oh, totally. Like four years prior, we were already all amped trying to get the movie going again. And by the time when Johnny Knoxville said, “All right, we can push the go button,” we were fully amped. That first bit you see, human ramp, with Preston underneath and all that, that was day one. It was go time and we were all, like…you could tell the camaraderie and how much fun and how much we were ready to just do this movie.
Preston, we get to see so many new faces that fit right into the core group. How impressed were you with these new newcomers and how well they fit in with the OGs?
Lacy: It had to be hard on them and especially, you know, sometimes we mess with them. We were on a break one time and we kept calling ’em and asking them why they weren’t on set that day, saying “Did you get fired?” Oh, man. It was fun to mess with them. We love ’em all though. They’re good kids, even though they’re not that young.
Wee Man, Jackass Forever had a really lovely tribute to Ryan Dunn at the end. Were there any stunts during the film where you’re like, “This would’ve been a great stunt for Ryan?”
Wee Man: Oh, all the time. All the time, I was like that. Ryan would’ve loved the marching band one. Uh, what else? He would’ve loved…oh, there’s just so many things we filmed and they’re coming out in 4.5 that I’m thinking of, I don’t want to give it away, but there were days we would sit there and we’re like, “Oh, I don’t know if I want to do this,” And we would tell each other, “Ryan would do it.” So then it would, like, amp us up, you know? So yeah, this one, this one was for Ryan.
Preston, the punching bag stunt. Were there any reservations to doing that? I feel like if you’re doing that, you just can’t really say no to anything.
Lacy: No, I was behind on footage. Remember that, Wee Man?
Wee Man: Oh yeah.
Lacy: And it was like a few weeks in and it was like, “Man, everybody’s getting footage and I got to get something done.”
Wee Man: Yeah. Preston kept talking about it. We would be doing things and be like, “All right, I got this, I got this,” and we kind of tally each other and Preston kept coming to me, “Dude, I haven’t got nothing yet. I haven’t got nothing,” And when he did that, I’m like, “Dude, you’ve got something now, don’t worry.”
Wee Man, I thought this film had the best opening yet. It’s hard to one-up each other, they’ve been so great before. What was your reaction when you saw the Godzilla dick causing havoc and it all come together?
Wee Man: Oh, I was like, “Okay, we got it.” Cause we didn’t have an opener for a while. The Pontiusaurus was going to be just a bit. That was going to be a little bit for Chris to have that. [Producer] Spike Jonez was like, “This is the opener. This is what we’re going to do,” and it just started coming together where we’re like, “All right, we got an opener.” So Spike wrote it and it was awesome, and we got to do it on the Paramount lot. So when you film there, that’s when you know you’re going to get gold.
That’s awesome. Preston, you’re obviously a veteran to this, but the pranks never stop coming. So how paranoid are you? Once you’ve done this for so long, can you really be surprised?
Lacy: Yes. Now, like in the Silence of the Lambs skit, they got Wee Man and I good. We fell for that hook line and sinker. They know how they can distract us in ways to get us
Wee Man: But it does take all of them [laughs]. If one is just by themselves, we’re like, no, theres’s something fishy.
Wee Man, I’ve been a fan for 20+ years, and something that surprised me about this film was that the critical reception was so high. Usually, it’s 60-70% positive, still good, but this was overwhelming. Do you think people were just ready to see people get hit in the nuts after the pandemic?
Wee Man: I just think we felt like even after we filmed it, we felt like we did a good one. You can tell if you put something out that’s quality or not quality, and we felt like it was a good one and we were ready to release it. It just so happened to be a perfect time that a lot of people wanted to be out, be in the theater, be social instead of on social media. So maybe it was a little bit of luck for us that it came out then, but hey, it’s time, and it’s just like doing a bit, if you nail it on timing, your joke is good.
Ahead of its long-awaited debut tomorrow, Disney+ has dropped another Moon Knight teaser, which features more new footage from the latest Marvel Studios series. The video shows Oscar Isaac as a scared and confused Steven Grant, as he struggles to cope with his multiple identities. It teases the other life he’s created as Marc Spector, and the adventures he’s gone on with May Calamawy’s Layla.
“It follows Steven Grant, a mild-mannered gift-shop employee, who becomes plagued with blackouts and memories of another life,” says the official synopsis. “Steven discovers he has dissociative identity disorder and shares a body with mercenary Marc Spector. As Steven/Marc’s enemies converge upon them, they must navigate their complex identities while thrust into a deadly mystery among the powerful gods of Egypt.”
Moon Knight will feature Golden Globe winner Oscar Isaac as he takes on the titular role of Steven Grant/Marc Spector, marking the fan-favorite superhero’s live-action debut. Joining him are MCU newcomers Ethan Hawke as Arthur Harrow, Oscar winner F. Murray Abraham as the voice of Khonshu, May Calamawy, and the late Gaspard Ulliel as Midnight Man.
The series is scheduled to start streaming on Wednesday, March 30.
Based on the character created by Doug Moench and Don Perlin, Moon Knight hails from head writer and executive producer Jeremy Slater (The Umbrella Academy). The episodes are directed by acclaimed filmmaker Mohamed Diab, along with Synchronic duo Justin Benson and Aaron Moorhead.
Executive producers are Isaac, Diab, Kevin Feige, Louis D’Esposito, Victoria Alonso, Brad Winderbaum, Grant Curtis, Trevor Waterson, and Rebecca Kirsch.
The Foo Fighters have cancelled their New Zealand tour and all upcoming concerts after the death of their bandmate Taylor Hawkins.Hawkins, 50, died at a hotel in Bogota, where the band was due to play at a music festival. Local...
Will Smith's mother has revealed she was surprised about her Oscar-winning son's behaviour at the Academy Awards.If you missed the drama from Sunday night, awards show host Chris Rock's monologue focused on Smith's wife Jada Pinkett...
Richard Williams' family doesn't "condone anyone hitting anyone".The father of tennis aces Serena and Venus Williams - whom Will Smith portrayed in King Richard - has addressed the Academy Awards after Smith smacked comedian Chris...
A new Fantastic Beasts:The Secrets of Dumbledore featurette for Warner Bros. Pictures’ upcoming action fantasy threequel has been released, highlighting Albus Dumbledore’s past and how it affects the rest of the characters and the storyline.
The video features commentaries by the some of the main cast including Jude Law as they discussed what fans should expect to see from the beloved Harry Potter character. The movie will be arriving in theaters on April 15.
Check out the Fantastic Beasts:The Secrets of Dumbledore featurette in the player below:
Fantastic Beasts: The Secrets of Dumbledore stars Eddie Redmayne as Newt Scamander, Katherine Waterston as Tina Goldstein, Dan Fogler as Jacob Kowalski, Alison Sudol as Queenie Goldstein, Ezra Miller as Credence, Jude Law as Albus Dumbledore, Jessica Williams as Professor Eulalie Hicks, and Callum Turner as Theseus, with Mads Mikkelsen as the new Gellert Grindelwald.
“Professor Albus Dumbledore knows the powerful Dark wizard Gellert Grindelwald is moving to seize control of the wizarding world,” reads the official synopsis. “Unable to stop him alone, he entrusts Magizoologist Newt Scamander to lead an intrepid team of wizards, witches, and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald’s growing legion of followers. But with the stakes so high, how long can Dumbledore remain on the sidelines?”
Additional cast includes Victoria Yeates as Bunty, William Nadylam as Yusuf Kama, Richard Coyle as Aberforth, Poppy Corby-Tuech as Vinda, Aleksandr Kuznetsov as Helmut, Oliver Masucci as Anton Vogel, Maria Fernanda Cândido as Vicência Santos, and Dave Wong as Liu Tao.
Fantastic Beasts: The Secrets of Dumbledore is once again directed by David Yates from a screenplay written by J.K. Rowling and Steve Kloves. Producers are Heyman, Kloves, Rowling, Lionel Wigram, and Tim Lewis.
It’s time to build a new puzzle series for developer ClockStone. After creating six entries in the Bridge Constructor series, the team will trade in its steel girders for plastic pieces in Lego Bricktales later this year. Announced by publisher Thunderful Games via a trailer earlier this week, Lego Bricktales is an instruction-free, physics-based puzzler that will see a mini-figure hero exploring brick-based dioramas and solving problems of the Lego folks who live there via free building challenges. It is coming out on at least PC in 2022 (other platforms have yet to be confirmed).
Lego Bricktales splits into two distinct halves that might seem familiar to fans of other games featuring the popular building blocks. Players will first tackle a set campaign with blocks themed around their surroundings. Classic themes like pirate ships and the deep jungle are evident in the announce trailer, and it’s easy to imagine what might need building in those scenarios.
Once a level is completed the first time, players can go back in via Sandbox mode and toy around with more advanced creations using the full scope of the game’s building blocks. Just like how many like to break a movie’s story wide open in traditional Lego games, it remains to be seen how ClockStone introduces off-the-wall gadgets to a Medieval kingdom.
While the structure seems familiar, the overall gameplay is a far cry from what gamers usually expect from Lego games. It continues a gradual expansion for Lego’s gaming efforts into territory beyond the platforming action provided by TT Games in forthcoming releases like Lego Star Wars: The Skywalker Saga.
Bricktales seems like a direct response to building games like ClockStone’s own bridgebuilders as well as more advanced creation-based experiences like Kerbal Space Program and Besiege. The Lego brand may be late to the party in this way, but it has unique brick designs and nostalgic charm on their side, and that may be enough for Bricktales players when it comes out.
The installments in the Dark Pictures Anthology series have usually starred at least a few recognizable faces. Given the nature of The Devil in Me‘s teaser and the lack of any names attached to it, it was difficult to tell who the familiar actors were in that upcoming entry. However, Supermassive Games has come out and stated that Oscar nominee Jessie Buckley, who was in that aforementioned trailer, would be starring in the horror, narrative-focused video game.
The game’s official Twitter account revealed the news, showing Buckey’s face in the series’ signature skull logo, which also has wires on the teeth this time around, hinting at its Saw-like inspirations. It’s also possible to see a hotel, as well as a man with an axe.
While the release date is still listed as “non-disclosed” on the game’s website, The Devil in Me is likely positioned to come out later in 2022 and finish the first season of the anthology. The Devil in Me is about a “documentary film crew [that] receives a mysterious invite to a replica of the ‘Murder Castle’ of H.H. Holmes, America’s first serial killer.” However, they’re being watched, which, when combined with how it promises the “most gruesome challenges,” is what gives it some major Saw vibes.
Supermassive’s next game probably will be out well before The Devil in Me, as The Quarry is set to release on June 10. This title seems to be calling back to the team’s time making Until Dawn since it is a more ambitious game with more characters and a full $60 or $70 price tag, depending on the platform. It even has more stars than the usual Supermassive title, as its cast has the likes of David Arquette, Ariel Winter, Skyler Gisondo, Justice Smith, Ted Raimi, and more.
Fans are worried for Phil Collins' health following the rock legend's last ever concert. The 71-year-old singer performed in London on Saturday night alongside his Genesis bandmates at the O2 Arena, and while fans were stoked to...
ComingSoon has three Jackass Forever promo packs to give out to celebrate the film’s digital release on March 29. The packages include a digital copy of the film, a toy of the “monster” that rampages throughout the film’s introduction, a t-shirt, and more.
“Celebrate the joy of a perfectly executed shot to the groin as Johnny Knoxville, Steve-O, and the rest of the gang return for another round of hilarious, wildly absurd, and often dangerous displays of stunts and comedy,” reads the official synopsis.
Check out the Jackass Forever giveaway packs below:
Jackass Forever stars Johnny Knoxville, Steve-O, Chris Pontius, Dave England, Wee Man, Danger Ehren, Preston Lacy, and introducing Jasper Dolphin, Rachel Wolfson, Sean “Poopies” McInerney, Zach Holmes, and Eric Manaka.
To enter our Jackass Forever giveaway, you can either retweet the Twitter post below or respond to the question on our corresponding Facebook post. The giveaway lasts until March 4 and winners must be in the U.S. as it is a physical prize.
Giveaway: We have three #JackassForever promo packs to give away. RT to enter.
The Academy of Motion Pictures Arts and Sciences has said it condemns the actions of Will Smith during this year's Oscars and it will launch a formal review of his slapping of presenter Chris Rock.In a statement, the film academy...
Controversial broadcaster Piers Morgan has weighed in on the Will Smith drama at the Oscars 2022.He's publicly defended the actor against "cancel culture" after Smith caused a stir at the ceremony by slapping comedian Chris Rock...
One Piece is just on the cusp of its 25th anniversary and, to celebrate, Bandai Namco announced that it was creating an RPG based in the series called One Piece Odyssey. Odyssey is coming out on PlayStation 4, PlayStation 5, Xbox Series X|S, and PC sometime in 2022.
The announcement came with a trailer and an interview with, Katsuaki Tsuzuki, its main producer. Odyssey will tell an original story from series creator Eiichiro Oda, who will also help out with character and creature designs, too. He seems to have done his work quite a bit ago, but was impressed by what it has become, according to a quote in the trailer.
“I thought to myself, ‘Wasn’t it like three years ago when I designed the characters?! Hahaha!'” he said. “But when I actually saw the game… Wow! It felt like I was watching A MOVIIIIE!!! What incredible immersion!!”
ILCA Inc., a team that has helped on titles like Yakuza 0 and Metal Gear Rising: Revengeance, is developing and Matoi Sakuraba, known for his work on the Tales series, is composing the music. Tsuzuki, who was an assistant producer on Digimon Story: Cyber Sleuth – Hacker’s Memory and both Dragon Ball: Xenoverse games, spoke a little more on the title. He talked about how it was a JRPG for those who love the genre as well as One Piece fans. He then said he wants the title to have a sense of adventure, which was hinted at in the trailer that implied the game had a big world to explore. Tsuzuki even stated multiple times that the game had been in development for a long time, implying that it might be of a higher quality than one might expect.
The 94th Academy Awards will take place at 8 p.m. ET/5 p.m. PT on ABC. The Power of the Dog leads the nominations with 12, Dune at 10, Belfast and West Side Story behind it at seven, and King Richard with six. ComingSoon will have full coverage tonight and this post will have full results.
Check out the full list of 2022 Academy Awards winners and nominees below (winners in red):
Best Picture
Belfast – Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas
CODA – Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger
Don’t Look Up – Adam McKay and Kevin Messick
Drive My Car – Teruhisa Yamamoto
Dune – Mary Parent, Denis Villeneuve and Cale Boyter
King Richard – Tim White, Trevor White and Will Smith
Licorice Pizza – Sara Murphy, Adam Somner and Paul Thomas Anderson
Nightmare Alley – Guillermo del Toro, J. Miles Dale and Bradley Cooper
The Power of the Dog – Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier
West Side Story – Steven Spielberg and Kristie Macosko Krieger
Best Director
Kenneth Branagh – Belfast
Ryusuke Hamaguchi – Drive My Car
Paul Thomas Anderson – Licorice Pizza
Jane Campion – The Power of the Dog
Steven Spielberg – West Side Story
Best Actor
Javier Bardem – Being the Ricardos as Desi Arnaz
Benedict Cumberbatch – The Power of the Dog as Phil Burbank
Andrew Garfield – Tick, Tick… Boom! as Jonathan Larson
Will Smith – King Richard as Richard Williams
Denzel Washington – The Tragedy of Macbeth as Lord Macbeth
Best Actress
Jessica Chastain – The Eyes of Tammy Faye as Tammy Faye Bakker
Olivia Colman – The Lost Daughter as Leda Caruso
Penélope Cruz – Parallel Mothers as Janis Martínez Moreno
Nicole Kidman – Being the Ricardos as Lucille Ball
Kristen Stewart – Spencer as Diana, Princess of Wales
Best Supporting Actor
Ciarán Hinds – Belfast as Pop
Troy Kotsur – CODA as Frank Rossi
Jesse Plemons – The Power of the Dog as George Burbank
J. K. Simmons – Being the Ricardos as William Frawley
Kodi Smit-McPhee – The Power of the Dog as Peter Gordon
Best Supporting Actress
Jessie Buckley – The Lost Daughter as Young Leda Caruso
Ariana DeBose – West Side Story as Anita
Judi Dench – Belfast as Granny
Kirsten Dunst – The Power of the Dog as Rose Gordon
Aunjanue Ellis – King Richard as Oracene “Brandy” Price
Best Original Screenplay
Belfast – Kenneth Branagh
Don’t Look Up – Screenplay by Adam McKay; Story by Adam McKay and David Sirota
King Richard – Zach Baylin
Licorice Pizza – Paul Thomas Anderson
The Worst Person in the World – Eskil Vogt and Joachim Trier
Best Adapted Screenplay
CODA – Sian Heder; based on the original motion picture screenplay La Famille Bélier written by Victoria Bedos, Thomas Bidegain, Stanislas Carré de Malberg and Éric Lartigau
Drive My Car – Ryusuke Hamaguchi and Takamasa Oe; based on the short story by Haruki Murakami
Dune – Jon Spaihts, Denis Villeneuve and Eric Roth; based on the novel by Frank Herbert
The Lost Daughter – Maggie Gyllenhaal; based on the novel by Elena Ferrante
The Power of the Dog – Jane Campion; based on the novel by Thomas Savage
Best Animated Feature Film
Encanto – Jared Bush, Byron Howard, Yvett Merino and Clark Spencer
Flee – Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte de la Gournerie
Luca – Enrico Casarosa and Andrea Warren
The Mitchells vs. the Machines – Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht
Raya and the Last Dragon – Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho
Best International Feature Film
Drive My Car (Japan) in Japanese – directed by Ryusuke Hamaguchi
Flee (Denmark) in Danish – directed by Jonas Poher Rasmussen
The Hand of God (Italy) in Italian – directed by Paolo Sorrentino
Lunana: A Yak in the Classroom (Bhutan) in Dzongkha – directed by Pawo Choyning Dorji
The Worst Person in the World (Norway) in Norwegian – directed by Joachim Trier
Best Documentary Feature
Ascension – Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
Attica – Stanley Nelson and Traci A. Curry
Flee – Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte de la Gournerie
Summer of Soul (…Or, When the Revolution Could Not Be Televised) – Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
Writing with Fire – Rintu Thomas and Sushmit Ghosh
Best Documentary Short Subject
Audible – Matthew Ogens and Geoff McLean
Lead Me Home – Pedro Kos and Jon Shenk
The Queen of Basketball – Ben Proudfoot
Three Songs for Benazir – Elizabeth Mirzaei and Gulistan Mirzaei
When We Were Bullies – Jay Rosenblatt
Best Live Action Short Film
Ala Kachuu – Take and Run – Maria Brendle and Nadine Lüchinger
The Dress – Tadeusz Łysiak and Maciej Ślesicki
The Long Goodbye – Aneil Karia and Riz Ahmed
On My Mind – Martin Strange-Hansen and Kim Magnusson
Please Hold – K.D. Dávila and Levin Menekse
Best Animated Short Film
Affairs of the Art – Joanna Quinn and Les Mills
Bestia – Hugo Covarrubias and Tevo Díaz
Boxballet – Anton Dyako
Robin Robin – Dan Ojari and Mikey Please
The Windshield Wiper – Alberto Mielgo and Leo Sanchez
Best Original Score
Don’t Look Up – Nicholas Britell
Dune – Hans Zimmer
Encanto – Germaine Franco
Parallel Mothers – Alberto Iglesias
The Power of the Dog – Jonny Greenwood
Best Original Song
“Be Alive” from King Richard – Music and lyrics by DIXSON and Beyoncé Knowles-Carter
“Dos Oruguitas” from Encanto – Music and lyrics by Lin-Manuel Miranda
“Down to Joy” from Belfast – Music and lyrics by Van Morrison
“No Time to Die” from No Time to Die – Music and lyrics by Billie Eilish and Finneas O’Connell
“Somehow You Do” from Four Good Days – Music and lyrics by Diane Warren
Best Sound
Belfast – Denise Yarde, Simon Chase, James Mather and Niv Adiri
Dune – Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
No Time to Die – Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
The Power of the Dog – Richard Flynn, Robert Mackenzie and Tara Webb
West Side Story – Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy
Best Production Design
Dune – Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos
Nightmare Alley – Production Design: Tamara Deverell; Set Decoration: Shane Vieau
The Power of the Dog – Production Design: Grant Major; Set Decoration: Amber Richards
The Tragedy of Macbeth – Production Design: Stefan Dechant; Set Decoration: Nancy Haigh
West Side Story – Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo
Best Cinematography
Dune – Greig Fraser
Nightmare Alley – Dan Laustsen
The Power of the Dog – Ari Wegner
The Tragedy of Macbeth – Bruno Delbonnel
West Side Story – Janusz Kamiński
Best Makeup and Hairstyling
Coming 2 America – Mike Marino, Stacey Morris and Carla Farmer
Cruella – Nadia Stacey, Naomi Donne and Julia Vernon
Dune – Donald Mowat, Love Larson and Eva von Bahr
The Eyes of Tammy Faye – Linda Dowds, Stephanie Ingram and Justin Raleigh
House of Gucci – Göran Lundström, Anna Carin Lock and Frederic Aspiras
Best Costume Design
Cruella – Jenny Beavan
Cyrano – Massimo Cantini Parrini and Jacqueline Durran
Dune – Jacqueline West and Bob Morgan
Nightmare Alley – Luis Sequeira
West Side Story – Paul Tazewell
Best Film Editing
Don’t Look Up – Hank Corwin
Dune – Joe Walker
King Richard – Pamela Martin
The Power of the Dog – Peter Sciberras
Tick, Tick… Boom! – Myron Kerstein and Andrew Weisblum
Best Visual Effects
Dune – Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
Free Guy – Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
No Time to Die – Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
Shang-Chi and the Legend of the Ten Rings – Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
Spider-Man: No Way Home – Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick
Welcome, Spartans
friends list out now (@AmongUsGame) March 31, 2022
LEGO Bricktales is coming in 2022!
(@Thunderfulgames) 
