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In The Boys Season 4 Episode 6, titled “Dirty Business,” Hughey, Starlight, Marvin, and Kimiko sneak into Tek Knight’s mansion after learning that the latter is planning something big with Homelander and Sister Sage. Meanwhile, Butcher continues to torture Sameer with the apparent help of Joe Kessler, leading to some shocking revelations for fans. So, here is the ending of The Boys Season 4 Episode 6 explained with details on what happenedto Joe.
What happened at the end of The Boys Season 4 Episode 6?
In Episode 6, during their break-in, Hughie pretends to be a Supe named Webweaver and is soon placed on a BDSM contraption by Tek Knight. Ashley (Colby Minifie) arrives later, and together with Tek Knight, puts Hughie through a harrowing and traumatic experience, believing him to be Webweaver. Meanwhile, the other members of The Boys realize that something is wrong. Marvin shoots Sister Sage in the head. Although she survives because of her powers, the temporary but severe brain damage she suffered nearly costs Homelander the support of powerful people from Washington for his coup against the President-elect, Robert Singer. Fortunately for Homelander, Victoria Neuman (Claudia Doumit) steps in and salvages the situation.
Marvin suffers a panic attack, and A-Train takes him to the hospital, continuing his transformation into a true hero. Annie and Kimiko rescue Hughie and force Tek Knight with Laddio’s help to reveal that Homelander wants to use his prisons as internment camps for dissdants. Eventually, Tek Knight is killed by Elijah, the man who raised him.
The following day, Firecracker tells Homelander about the break-in and Tek Knight’s death. She also reveals that she can now lactate because of “a long regimen of drugs,” immediately drawing Homelander’s interest.
Elsewhere, Butcher continues to torture Sameer, who reveals that they can’t make the Supe-killing virus strong enough to kill Homelander because it then changes and becomes airborne and highly contagious. It can even potentially wipe out all the Supes in the world.
As Butcher realizes the implication of that, Kessler seems unsettlingly happy with the prospect of causing mass death. Becca, who Butcher knows is a hallucination, passionately argues against whatever Kessler says. But the moment Kessler addresses her, Butcher realizes that he is also a hallucination, caused by the ever-growing tumor in his brain.
Is the real Joe Kessler alive or dead in The Boys Season 4?
As the Kessler that Butcher’s mind created reveals, the real Joe Kessler died in Panjshir Valley in northeastern Afghanistan after Butcher left him behind. Although Butcher initially refuses to believe this, he realizes that it’s the truth.
Will Billy Butcher kill all supes in The Boys Season 4 or 5?
While it remains unknown whether Butcher will attempt to kill all Supes, The Boys Season 4 Episode 6 shows that there is a clash between good and evil inside Butcher’s mind. The hallucination of Becca represents the humanity and morality that remains in Butcher, while Kessler is the part that wants to burn the world down in his pursuit of revenge.
Although Butcher does care about the Supe members of his team, it’s ultimately with Ryan that the last traces of his sanity are anchored. Now that Butcher knows that something is immensely wrong with him even beyond the tumor, he can course-correct and focus on his goal of getting Ryan back. Alternatively, he can become one of the main antagonists in Seasons 4 and 5, especially if something happens to Ryan.
ComingSoon Editor-in-Chief Tyler Treese spoke to Space Cadet stars Emma Roberts and Poppy Liu about the upcoming Prime Video comedy movie. The actresses spoke about some of the film’s most entertaining scenes and working with writer-director Liz W. Garcia. The film will premiere globally on Prime Video on July 4.
“Tiffany ‘Rex’ Simpson (Emma Roberts) has always dreamed of going to space, but life isn’t going quite as planned. Determined to turn things around, she aims high, and with the embellishing touch of her supportive best friend Nadine (Poppy Liu), her ‘doctored’ application lands her in NASA’s ultra-competitive astronaut training program. In over her head, Rex relies on her quick wits, moxie, and determination to get to the top of her class,” says the synopsis. “NASA program directors Pam (Gabrielle Union) and Logan (Tom Hopper) certainly take notice, but can this Florida girl get through training and into the cosmos before she blows her cover? Written and directed by Liz W. Garcia (Purple Hearts), Space Cadet is a comedy about the power of being yourself, following your dreams, and shooting for the stars.”
Tyler Treese: Emma, Space Cadet has such a fun tone to it. It’s nice to have this really breezy movie that’s filled with laughs and then it has this really life-affirming message to it on top of it. What did you like most about just the film’s overall vibe?
Emma Roberts: I loved the script. I mean, even just the title Space Cadet, I knew I was gonna love it, and I read it, and I found myself just smiling and laughing. I devoured it in one sitting and it just felt like a movie I really wanted to be a part of. There was, you know, nostalgia there, but also so much like originality. And at the end of the day, it’s uplifting. It’s a movie, you know, you can watch with your siblings or your parents or your significant other or whoever and just like, have a nice time. And I just feel like there’s not a lot out there like that. Um, and so I was really excited to be, to be a part of that.
Poppy, after the beginning of the film, most of your scenes are phone calls. It really impressed me because a lot of the time in movies, these phone call scenes are just exposition, and they don’t always hold your attention, but you managed to make every single one of these phone calls entertaining and fun to watch. What’s the secret there? Because you did such a great job in these very difficult scenes.
Poppy Liu: Oh, thank you, Tyler. It’s a really fun script, honestly. I feel like a lot of, a lot of what we do as actors, like 80% of the work is the script. If it’s a great script, we just do what we need to do for the scene, and it’s great. So I think that it really comes down to that, like from start to finish, like, yeah, it is, it is so fun.
But for those scenes, Nadine’s such a fun, silly, heart-centered, sweetie-pie character; Everything that she does is out of love. She has such good intentions, and I think that’s kind of what’s sweet about all of it. Even when she’s being silly, she’s doing it ultimately out of love for her best friend. She was like, “I’m gonna keep my friend in NASA for as long as possible.” So I think just like you, that’s like someone that you wanna root for. It’s great to root for people who are rooting for each other, and Nadine and Rex have a great friendship that I think we all deserve.
Emma, I found out that we have similar workout habits in this film. We both sing Carly Rae Jepsen on the treadmill. How was it filming that scene? That is such a highlight.
Roberts: I mean, that was actually hard because I was like, okay, what’s like, what’s the trick here? They’re like, “Well, just pretend to run and sing the song, and then someone falls.” And I’m like, “Oh.” I definitely thought there was gonna be more of like a stunt involved, but we were all just kind of like pretending to run. We had these weighted vests on too, which I remember being like, oh, okay. That was when we saw the stunt double fly off the treadmill every time. I mean, it’s so jarring to see.
But that song, I remember the first time I heard “Call Me Maybe,” I was in the back of a taxi in New York City with my best friend blasting it on our iPhones. So, yeah. I love that song.
Poppy, Liz Garcia is the director. What really stood out about her approach? Because this is such a fun film.
Liu: The thing that I’ve been sharing that kind of shows who she is as a director is I think she really puts like people first. My character was originally not supposed to be pregnant. I was cast I think a year before we even filmed, got pregnant in the meantime. By the time like we were gonna film, I was seven months pregnant, so I was like, “Maybe they’ll have to recast or whatever.” She was just like, “No. I’ll just rewrite Nadine to be pregnant, done.” And I was like, seriously?
I think she’s really one of a kind for just kind of being. You really feel like she cares about you as a person. She cares about the thing that she’s making. There’s so much heart there, and I think the dynamic on set translates a lot when you watch something. So watching it does feel great because I think we felt great making it.
Thanks to Emma Roberts and Poppy Liu for discussing Prime Video‘s Space Cadet.
Production is now underway on the live-action Watch Dogs movie.
Director Mathieu Turi posted a photo on Instagram announcing that filming has begun on the forthcoming Watch Dogs movie, which is based on Ubisoft’s popular video game series of the same name.
Ubisoft initially announced that a Watch Dogs movie was being developed in 2013. Writers Rhett Reese and Paul Wernick were hired to pen the screenplay in 2014; however, they both exited the project by March 2024.
At that time, it was announced that Turi had been hired to direct the film, while the screenplay comes from Christie LeBlanc (Oxygen) and Victoria Bata (Fate: The Winx Saga). Turi previously directed 2017’s Hostile, 2020’s Meander, and 2023’s The Deep Dark.
Sophie Wilde has been cast in the lead role of the Watch Dogs movie. Wilde is known for playing Mia in 2022’s Talk to Me, while she also starred alongside Patrick Gibson, Christopher Waltz, and Sam Neill in 2023’s The Portable Door.
She has additionally appeared in television series such as 2021’s Eden, 2023’s Everything Now, and 2024’s Boy Swallows Universe, while she’ll soon be seen in Halina Reijn and A24’s Babygirl, which also stars Nicole Kidman, Harris Dickinson, and Antonio Banderas.
In addition to Wilde, the Watch Dogs movie will star Tom Blyth, who is best known for playing Coriolanus Snow in 2023’s The Hunger Games: The Ballad of Songbirds & Snakes.
Yariv Milchan and Natalie Lehmann are producing the movie for New Regency Pictures, while Margaret Boykin is producing for Ubisoft Film & Television
Plot details for the Watch Dogs movie remain under wraps at this time. A release date has not yet been announced by Sony Pictures Releasing.
ComingSoon Editor-in-Chief Tyler Treese spoke to Murder Company director Shane Dax Taylor about the new World War II movie. Taking place during D-Day, the film stars William Moseley, Pooch Hall, Gilles Marini, Joe Anderson, and Kelsey Grammer. Maverick Film & Complex Corp will release the movie in select theaters, digital, and on demand on July 5, 2024.
“In the midst of the D-Day invasion, a group of US soldiers are given orders to smuggle a member of the French resistance behind enemy lines to assassinate a high-value Nazi target,” says the synopsis.
Tyler Treese: There’s such a rich history of war movies that have tackled such a wide range of subjects within all that encompasses. So what was your overall goal with Murder Company?
Shane Dax Taylor: I come from a military family, so I’ve always wanted to direct a military film. I’ve always been a fan of them. My grandfather was General Patton’s Aide, so my family owns General Patton’s guns, so it’s always kind of been part of my family. I’ve now directed about 10 films, and it was just kinda like a bucket list thing. Now that I’ve done it, I want to continue to do more. The support for this film, from active military to retired military, has just been amazing.
One aspect of Murder Company that really impressed me was the troop dynamic. You really establish that in the film, especially them being this mixed unit, kind of a ragtag group. How key was it to make sure people really cared about these soldiers before we saw the action really take off?
Oh, it was huge. Fortunately, Pooch Hall and Jilon VanOver, some of these guys I’ve known 20 years, so to bring them together, and it was important to me to… I mean, I was actively involved, other than Kelsey, I worked to get all these actors on board because I knew they would mesh well together, not only fantastic actors, but there’s no bad apples, so to speak. I’ve been on films where you just can’t wait to get through, get an actor off set. But this was one where we were hanging out on weekends together. After cut, we’d go have dinner together, we’d work out together, we’d do other things together. So that’s rare that you could have literally the entire cast come together like that. It made it just that much better on screen for these guys to have that camaraderie.
Murder Company takes place around D-Day, but it shows this alternate story that’s going on during those iconic events. What did you like most about having D-Day in the background? Because obviously that’s very familiar to most people.
This being a true story is important. That once these guys landed on the beach, that they had a way to get off. So the whole story takes place about trying to take out a high-ranking Nazi general who controlled the roadways. When we say roads, I mean, just trying to get a tank over a bridge that could be five feet, would be considered a ditch. But if that bridge is taken out, then that tank and those trucks can go through. So this Nazi was just trying to take out all roads so no one could come off the beach. It was important for these guys to kind of take him out so we could get tanks and soldiers and, and Jeeps, everything off the beaches. It was quite important.
The actor you got to play the main Nazi general in Murder Company, the German actor Roman Schomburg. He’s very intense. He gives such a good performance. How was it working with him?
It was amazing, man. I probably looked at over a hundred actors for that role, and people submitted multiple times. It was important to me to have a German come in and not someone pretending to be. With the accent but also the intensity, you could just see it in his eyes. Once he sent in a tape, and then once we talked, it was like, man, the intensity just kinda went through the screen, and it really holds up on camera as well. He was good, but yet at the end of the day, he was ready to let that go and then go hang out and have a beer with William and Pooch and everybody else. So it was good.
I did want to ask about William Moseley. His character’s really interesting in this because he’s in this in-between period for him as a soldier. He’s growing into becoming this leader, and he is hesitant about really stepping up into that role. What did you like most about the character of Southern?
Yeah, it was important for me. I chose out William once I heard there was interest. We were looking for actors in the UK, and once his name popped up, my kids had been a fan of the Narnia films, and I’d seen him in other films, and he just comes off as younger than these guys, but as a leader, as a true leader. So him jumping out there and, and running across, it takes a lot of guts to do that. The reluctancy of him and how he played it worked extremely well for this film.
You mentioned Kelsey Grammer earlier. He’s a general in this. He always gives a very stern performance in Murder Company. What really attracted you to working with Kelsey?
Like I said, it was like a bucket list. I’m friends with a lot of other directors, writers, and actors, and going back 10-15 years, people are like, “You gotta work with him.” He is the nicest guy, and he would show up on set and no matter what your position was, he just wanted to talk to you and hear where you are from. We just really just hit it off. It was an honor to work with him on this film, and I look forward to doing definitely in the future as well.
Most of the movies that you’ve directed in the past, you also wrote. So how different was it directing somebody else’s script this time around?
With this script, I took it on, and then once we decided to go to Bulgaria and shoot, then I kind of made it match these sets. It seems like a lot of films these days, or when I was starting out, you’re shooting 25-30 days, and now you’re trying to shoot in 12 or 15. It’s just a matter of like, “Okay, we love these set pieces, and we have some huge set pieces in this film, but it’s also how do we scale it down and make it so we can shoot this?” Because that that was quite important to me. [Writer] Jesse Mittelstadt was a great collaborator. I would send him notes, but yet on some days, I would be changing the script and making this work.
Because there’s a section where they’re traveling far, and there’s these rock formations and different things that Bulgaria had that made it feel like they went a hundred miles. So it was just little changes like that to the script and just continuing to move them forward and make it. It’s a contained film in the sense that there’s a core group of actors, but the scope is huge in this film. With some of these battle sequences, we had 150 actors and 300 people on set, and it was quite daunting. I think we pulled it off.
The battle sequences are definitely a big highlight throughout Murder Company. How would you kind of describe your approach to actually putting together those war scenes? We’ve seen so many out of the years,so how’s it putting your own twist on that?
It was hiring a great crew, a great stunt coordinator, and a lot of these guys have worked on The Expendables films. They do a lot of Millennial films. So they’re used to these large-scope action sequences. So it was just sitting down with these guys, weeks in advance, and saying, “Okay, this is how we plan on doing it.” It’s just important to trust the people that we’re working with and help pull it off.
But yes, it was kind of my vision of this valley then coming from all sides and getting surrounded and just explaining to these guys, like, okay, we are going to hit them from all sides, but let’s make it look like it’s not some over here, and then some over here. We’re not gonna green screen it. When they’re getting attacked, they’re getting all attacked at the same time. Like I said, we had 150 actors and it really filled up the screen for sure.
One of my favorite aspects of these types of movies is definitely the period piece aspect. What did you like most about filming in the forties, seeing these old weapons and all the uniforms? They look great.
Fortunately, Millennium Media, over at there studios, they had the costumes, they had the trucks, they had the Jeeps, they had the tanks. I mean, they had all the stuff. So it was just like I was like a kid in a candy store walking through there going like, “Wow, I get to choose.” Normally, you show up, and you need a Jeep, and here’s the one Jeep they have. We showed up there, and there were 10 trucks, and they’re like, “Choose. This one’s from this area, this one’s from this one, this one fits.”
Some of these jeeps were made in the late forties or fifties after this timeframe, so it was important to us to make sure that it actually fit as well as the uniforms, the helmets, the weapons, everything was of that time. It’s something they would’ve been using then.
Since you are continuing on this incredible legacy of World War II movies with Murder Company, I was curious if you have any particular favorites from the past,
Of course, Saving Private Ryan. Sisu that came out last year was a phenomenal film. I studied that. It’s amazing what you can do with no dialogue and just make people excited for it. But there’s been so many, but definitely Saving Private Ryan is one. I had the poster on my wall when it first came out. It was important to me to kind of live within that world and study that, but yeah, I hope to do more for sure.
You have a movie called Fight or Flight coming up. What can we expect from that?
I stepped in. There was a director, Daniel Zirilli, who tragically passed away while he was in prep for that film. So I stepped in literally when everything was set. Dolph Lundgren, Michael Jai White, Scott Martin, a lot of great action actors in that one, and Charlotte Kirk. It’s kind of nonstop action. An assassin who wants to take out other assassins. Chad Law wrote it, who’s written a ton of fantastic little action films. So that was a wild one.
We just started editing yesterday, but tragically, we shot in Ruidoso, [New Mexicon], and if you’ve seen the news, the fires have just hit there. So the sets we shot on two weeks ago have now been destroyed, and we have cabins in that film. The restaurants we shot in, the house I stayed in. Within the last couple of days, they’ve just been destroyed. So my thoughts and prayers are definitely with everybody there in Ruidoso, where I’ve now shot three of my last four films. Christmas Classic, the ski resort was destroyed there. Best Man I shot with Luke Wilson. That area is near and dear to my heart. So, thoughts and prayers to everybody at Ruidoso right now.
Crunchyroll and Grammy-nominated rapper Logic are collaborating on a new streetwear collection inspired by the iconic anime series Cowboy Bebop.
The new clothing line combines the streetwear flair with the neo-noir aspects of Cowboy Bebop. Included in the collection are four t-shirts, a crewneck sweatshirt, a hoodie, a varsity jacket, and more, including:
See You Space Cowboy T-shirt
Sympathy for the Devil T-shirt
Logic and Radical Ed Smiley T-shirt
The Crew T-shirt
Logic and the Crew-neck Sweatshirt
Logic and the Crew Sweatshirt
Cowboy Bebop 1998 Hoodie
Varsity Jacket
Beanie
Corduroy Hat
Skate Deck
Poster
“Anime was there for me when I was growing up in a drug and violence-ridden childhood and household. I discovered anime through Cowboy Bebop, and would later go on to befriend the voice of Spike Spiegel, Steve Blum, and collaborate with him on various albums, which is a dream come true,” said Logic in a statement.
“Without Cowboy Bebop, there is no Logic. I just hope that collabing with Cowboy Bebop and Crunchyroll will allow me to introduce a lot more of my fans who might not be hip to Cowboy Bebop, and vice versa, and hope that a bunch of people out there who love Cowboy Bebop will realize I’m making fun anime nerd albums.”
Streetwear collection available today, will also be at Anime Expo
The new collection is available to preorder beginning today on the Crunchryoll Store, with shipping set to begin as early as July 8. A limited number of items from the collaboration will also be made available to fans attending Anime Expo in Los Angeles, which takes place from July 4-7, 2024.
Check out a gallery of images of the clothing below:
