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Netflix has released a brand new trailer for Black Mirror Season 7, highlighting each new episode of the latest installment to the acclaimed sci-fi anthology series. Season 7 is scheduled to debut on April 10, 2025, with six new episodes.
What are the Black Mirror Season 7 episode titles?
The new trailer has also confirmed the official episode titles for Black Mirror Season 7 as well as the main cast members of each episode. Besides the titles, Netflix has also shared the synopsis and creative team for the new installment’s six electrifying stories.
Listed below are the titles and synopses for Black Mirror Season 7.
Episode 7.01 — Common People
When a medical emergency leaves schoolteacher Amanda fighting for her life, her desperate husband Mike signs her up for Rivermind, a high-tech system that will keep her alive — but at a cost. The episode is directed by Ally Pankiw from a screenplay written by Charlie Brooker. It will be led by Rashida Jones, Chris O’Dowd, and Tracee Ellis Ross.
Episode 7.02 — Bête Noire
Confectionary whizz kid Maria is unnerved when her former schoolmate Verity joins the company she works at — because there’s something altogether odd about Verity, something only Maria seems to notice The episode stars Siena Kelly, Rosy McEwen, Michael Workéyè, Ben Bailey Smith, Amber Grappy, Ravi Aujla, Elena Sanz, and Hanna Griffiths. It is directed by Toby Haynes from a script written by Brooker.
Episode 7.03 — Hotel Reverie
A high-tech, unusually immersive remake of a vintage British film sends Hollywood A-list star Brandy Friday into another dimension, where she must stick to the script if she ever wants to make it home. Directed by Haolu Wang, the episode will be led by Issa Rae, Emma Corrin, Awkwafina, and Harriet Walter.
Episode 7.04 — Plaything
In a near-future London, an eccentric murder suspect is linked to an unusual video game from the 1990s — a game populated by cute, evolving artificial lifeforms. The episodes stars Peter Capaldi, Lewis Gribben, James Nelson Joyce, Michele Austin, Will Poulter, and Asim Chaudhry, with David Slade serving as its director.
Episode 7.05 — Eulogy
An isolated man is introduced to a groundbreaking system that allows its users to literally step inside old photographs – stirring powerful emotions in the process. The episode will be led by Paul Giamatti and Patsy Ferran, with Chris Barrett and Luke Taylor directing from a screenplay written by Brooker and Ella Road.
Episode 7.06 — USS Callister: Into Infinity
Robert Daly is dead, but now the crew of the USS Callister — led by Captain Nanette Cole — are stranded in an infinite virtual universe, fighting for survival against 30 million players. The sequel episode will star Cristin Milioti, Jimmi Simpson, Billy Magnussen, Osy Ikhile, Milanka Brooks, and Paul G. Raymond. The longest episode of the season is directed by Toby Haynes from a screenplay written by Brooker, Bisha K. Ali, William Bridges, and Bekka Bowling.
The series is created and executive produced by Charlie Brooker through his Broke & Bones production company. Season 7 will also be executive produced by Jessica Rhoades, Annabel Jones. Since its debut in 2011, the show has been receiving recognition from award-giving bodies. It has won multiple Emmy Awards, including three for Outstanding Television Movie for the San Junipero and USS Callister episodes as well as for the Bandersnatch interactive film.
Jason Momoa has confirmed that he’ll return as Duncan Idaho in Dune 3.
Momoa played Duncan Idaho, a swordmaster of House Atreides, in Denis Villeneuve’s Dune, which was released in 2021. Momoa did not return for the sequel, Dune: Part Two, as his character seemingly dies at the end of the first movie.
What did Jason Momoa say about Dune 3?
Speaking with TODAY’s Craig Melvin on Monday, March 31, 2025, Momoa confirmed that he’ll be returning to Arrakis for Dune 3.
“I’m making a comeback,” Momoa said. “You heard it first, right here with you, baby.”
Regarding how his character comes back, Momoa said, “Well, I’m not sure if I’m going to get in trouble or not, but it’s the same thing like Game of Thrones, you know what I mean? If you didn’t read the books, it’s not my fault, right? Yeah, there’s going to be … I’m going to be coming back.”
According to a February 2025 article published by Deadline, Dune 3 is looking to begin production sometime this summer, “providing key elements fall into place (talent avails, etc).” A release date for the film has not yet been set.
An official title for Dune 3 has also not yet been unveiled; however, the movie is expected to be an adaptation of Frank Herbert’s Dune Messiah, which is the second book (Villeneuve’s two movies have so far adapted the first novel) in his sci-fi series. Published in 1969, Dune Messiah picks up 12 years after Paul Atreides (Timothée Chalamet) has ruled as Emperor for 12 years.
Momoa, meanwhile, will soon be seen in A Minecraft Movie, which opens in United States theaters on April 4, 2025. The Aquaman star is also currently filming scenes for 2026’s Supergirl: Woman of Tomorrow, as he has been cast as Lobo in James Gunn and Peter Safran’s DCU.
Photo Credit: Pierre Mouton | Getty Images for Acne Studio
Fans are interested in learning more about Taylour Paige and her husband. The actress is known for her roles in films like Zola and Ma Rainey’s Black Bottom. Now, her personal life has also drawn attention. As Paige’s career continues to flourish, many are also curious to learn more about her relationship.
So, here’s all you need to know about Paige’s husband, including his career and the couple’s history.
What is Taylour Paige’s husband’s name?
Taylour Paige’s husband’s name is Gary “Rivington Starchild” Angulo, AKA Rivington Starchild.
On October 5, 2022, Paige married Starchild in a ceremony surrounded by loved ones. The wedding date was even more special, as it fell on her birthday. Just weeks earlier, on September 19, 2022, the actress had hinted at her engagement by sharing an Instagram photo of a Tiffany & Co. diamond ring.
Paige wrote in the caption, “Out of nowhere!! You appeared and showed me that the way that I love, was always the way because it’s your way too.” However, other details about the couple’s relationship remain largely private.
What is Rivington Starchild’s age?
Rivington Starchild is either 40 or 41 as of writing. This means the age difference between him and Taylour Starchild is approximately six years.
Starchild was born in 1984 in Queens, New York City. Meanwhile, Taylour Paige was born on October 5, 1990, and is 34 as of writing.
What is Rivington Starchild’s job and what does he do for a living?
Rivington Starchild is fashion designer and a singer.
Starchild is recognized for founding Rivington Roi Rebis, or RRR 123, a streetwear brand known for its style and creative designs. Additionally, he is the front man and lead singer of DAMEHT, a pop punk band based in New York City.
Do Taylour Paige and Rivington Starchild have kids?
Taylour Paigeand Rivington Starchild don’t have children.
However, the couple is currently preparing to welcome their first child. On March 24, 2025, the actress subtly announced her pregnancy by sharing a photo on Instagram. In it, Paige wore a white dress that showcased her baby bump, but she chose not to add a caption.
DC and HBO’s The Penguin wowed viewers last year as the sequel series to 2022’s The Batman delivered a grounded and stellar look at Oswald Cobb’s rise of power. While a second season is looking less like the sure thing people expected following its critical and commercial success, The Penguin Season 1 4K release allows fans to savor all eight episodes in incredible quality.
“Starring Colin Farrell in the title role, the DC Studios drama The Penguin continues The Batman epic crime saga that filmmaker Matt Reeves began with Warner Bros. Pictures’ global blockbuster and centers on the character played by Farrell in the film,” says the official description.
Beyond the stigma of comic book adaptations, The Penguin is, quite frankly, just a great crime drama. It’s really fantastic since, at its core, it is a detailed character study with a great actor giving his all, even if he’s under layers of prosthetics. Great performances from Farrell and Milioti (who plays a psychotic version of Sofia Falcone) make each and every episode stand out. While it stands as a sequel to The Batman — and it’s easy to wonder where the heck the Caped Crusader is during all of this — it isn’t dependent on it as it can stand on its own as a tightly written and rewarding drama.
The Penguin 4K release also takes full advantage of being in UHD as it has a great HDR grade. Gotham looks truly stunning, as we get to see the criminal underbelly of the city, and you can really appreciate the fantastic detail that went into the makeup and prosthetics for the title character. I really enjoyed watching the show on streaming, but I have an even greater appreciation for it after seeing all eight episodes in 4K. The audio also holds its end of the bargain as the Dolby Atmos tracks really enrich the experience.
There’s a good amount of bonus content in The Penguin Season 1 4K, although you might’ve seen most of it before. There are Inside Gotham featurettes for each episode that go behind the scenes (these were also released on YouTube), which are fun looks at key moments. There are also around 40 minutes of additional featurettes, which dive into everything from Sofia Falcone to its depiction of Gotham. They’re all quite fun to watch as you go along (the first disc has a trio of non-spoiler ones, while the third disc has six retrospective featurettes apart from the Inside Gotham episodes. I would’ve loved some episode commentary tracks, but there’s already a lot here, so I can’t complain.
The Penguin Season 1 4K Review: Final Verdict
The Penguin is my favorite superhero show made this past decade, and even if this is the only season we get, it will hold a spot in the hearts of fans for a long time. Colin Farrell’s award-winning performance is excellent, while Cristin Milioti delivers a breakout performance that could be worthy of her own spin-off down the line. As a result, The Penguin Season 1 4K is an easy recommendation for any fan of The Batman and DC.
Disclosure: ComingSoon received product from the distributor for our The Penguin Season 1 4K review.
What is Mission: Impossible – The Final Reckoning’s budget?
According to a recent note from Matthew Belloni while on The Town podcast (via World of Reel), The Final Reckoning’s budget ended up being $400 million.
While it’s unknown what the exact number is, should that figure be correct, it would place the potential final Mission: Impossible film as the fourth-highest-budgeted film of all time, behind only Star Wars: The Rise of Skywalker ($416m), Jurassic World: Fallen Kingdom ($432m), and Star Wars: The Force Awakens ($447m).
Along with being one of the most expensive films of all time, a budget that high would also mean that the movie would have to earn $1 billion at the global box office simply to break even. That would also be the highest tally for any film in the series, with the most money the franchise ever made being $791 million for 2018’s Mission: Impossible – Fallout.
Along with Cruise, the cast of Mission: Impossible — The Final Reckoning includes Hayley Atwell as Grace, Ving Rhames as Luther Stickell, Simon Pegg as Benji Dunn, Vanessa Kirby as Alanna Mitsopolis, Esai Morales as Gabriel, Pom Klementieff as Paris, Mariela Garriga as Marie, Henry Czerny as Eugene Kittridge, Holt McCallany as Bernstein, Janet McTeer, Nick Offerman as Sydney, Hannah Waddingham, Angela Bassett as Erika Sloane, Shea Whigham as Jasper Briggs, Greg Tarzan Davis as Degas, Charles Parnell, and Frederick Schmidt.
The synopsis for the film simply reads, “Our lives are the sum of our choices. Tom Cruise is Ethan Hunt in Mission: Impossible – The Final Reckoning.”
The film is directed by Christopher McQuarrie, who co-wrote the script with Erik Jendresen. Cruise and McQuarrie both serve as producers on the film, while David Ellison, Dana Goldberg, Don Granger, and Chris Brock all serve as executive producers.
Mission: Impossible 8 will be released in United States theaters on May 23, 2025, from Paramount Pictures.
Netizens are curious to know more about Seth Rogen‘s wife. Rogen is an influential actor and comedian who has delivered some of the biggest comedy films of the past few decades. Thanks to his prolific career, he has received numerous prestigious accolades, including a Golden Globe, a Primetime Emmy, and more.
Here’s everything you need to know about Seth Rogen’s wife.
What is Seth Rogen’s Wife’s name?
Seth Rogen’s Wife’s name is Lauren Miller Rogen.
Rogen and Miller first met in 2010 when he was working on the satirical sketch comedy Da Ali G Show. They began dating soon after and got engaged on September 29 of that year. The following year, the pair officially tied the knot on October 2, 2011, in Sonoma County, California, and have been going strong ever since. Miller has also collaborated with her husband several times, making minor cameo appearances in his movies.
What is Lauren Miller Rogen’s age?
Lauren Miller Rogen is 43 years old, which means there is a one-year age difference between them and Seth Rogen.
Lauren Miller was born on July 24, 1981, in Long Island, New York, and grew up in Lakeland, Florida. Rogen, on the other hand, was born in Vancouver, British Columbia, on April 15, 1982.
What is Lauren Miller Rogen’s job, and what does she do for a living?
Lauren Miller Rogen is an actress, comedian, screenwriter, and director.
Miller started out in the industry by appearing in many of her husband’s movies, such as Superbad, Zack and Miri Make a Porno, Observe and Report, and more. In 2012, Miller landed her first leading role in the comedy film For a Good Time, Call…, where she also served as a writer and producer. She directed her first feature film, Like Father, in 2018. In addition to the above, some notable titles in her filmography include Grey’s Anatomy, Sausage Party, Santa Inc., and more.
Do Seth Rogen and Lauren Miller Rogen have kids?
Seth Rogen and Lauren Miller Rogen don’t have any children.
In an interview with Howard Stern on his show, Rogen announced that he does not plan on having children in the future. His wife, Miller agrees with the decision as well. “I would say she wants kids less than I do,” shared Rogen.
During today’s Nintendo Direct, publisher Dotemu and developer Tribute Games announced Marvel Cosmic Invasion, a brand-new retro-styled video game featuring some of Marvel’s most popular characters.
What is Marvel Cosmic Invasion about?
From the makers of Teenage Mutant Ninja Turtles: Shredder’s Revenge, Marvel Cosmic Invasion is an arcade-style beat ’em up where players take control of popular Marvel characters to take down the supervillain Annihilus. Paying homage to Marvel’s 90’s era, players can choose to play as Captain America, Wolverine, Spider-Man, Storm, Phyla-Vell, Venom, and Nova as they fight through the streets of New York City to reach the Negative Zone.
“In MARVEL Cosmic Invasion the immortal Super Villain Annihilus has launched an unprecedented attack across the galaxy, threatening all life as we know it,” read’s the game’s description. “Fighters both Earth-born and cosmic must now join forces in a star-spanning adventure against the deadly Annihilation Wave. Brawl through the streets of New York City all the way to the depths of the Negative Zone to foil Annihilus’ vow to spread death across the cosmos.”
“I’m quite sure I speak for the whole team at Tribute Games when I say we are profoundly honoured to work on MARVEL Cosmic Invasion,” says Tribute Games CEO and co-founder Jean-François Major. “This project allows us to pay homage not only to the iconic MARVEL characters but also to the classic arcade games that shaped our love for gaming. We approach this cherished license with the utmost respect, infusing every pixel with the care and passion it deserves. We once again set out to modernize and push forward the genre while respecting what made the classics great. We couldn’t ask for better partners at MARVEL and Dotemu who both understand and share our passion. They amplify our dream for this project.”
Marvel Cosmic Invasion launches later this year on PC and consoles.
After five years since making his Marvel Cinematic Universe debut in Shang-Chi and the Legend of the Ten Rings, Simu Liu is finally reprising his superhero role in Marvel Studios’ highly-anticipated Avengers: Doomsday. This marks Liu’s first time joining fellow MCU actors in a crossover movie. The star-studded movie is currently slated to arrive in theaters on May 1, 2026.
Liu’s Shang-Chi was last seen by fans at the end of his 2021 movie, where he was able to meet Benedict Wong’s Wong, Mark Ruffalo’s Bruce Banner, and Brie Larson’s Carol Danvers to discuss why the Ten Rings suddenly became a beacon after he acquired it from his father. Besides Avengers: Doomsday, Liu’s Shang-Chi sequel is still currently in development at Marvel Studios, with director Destin Daniel Cretton expected to return.
Avengers: Doomsday will be directed by Avengers: Endgame filmmakers Joe and Anthony Russo from a screenplay written by Stephen McFeely. The latest installment will feature Oscar winner Robert Downey Jr. as he signs on for the role of Victor von Doom/Doctor Doom. Joining him are The Fantastic Four cast led by Pedro Pascal as Reed Richards/Mister Fantastic, Vanessa Kirby as Sue Storm/Invisible Woman, Joseph Quinn as Johnny Storm/Human Torch, and Ebon Moss-Bachrach as Ben Grimm/Thing.
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Besides Liu, Marvel Studios has also just confirmed that Chris Hemsworth, Paul Rudd, Sebastian Stan, Anthony Mackie, Florence Pugh, Letitia Wright, Tenoch Huerta Mejia, Kelsey Grammer, Lewis Pullman, David Harbour, Wyatt Russell, and Danny Ramirez have been tapped to reprise their respective characters as Thor, Scott Lang/Ant-Man, Bucky, Sam Wilson/Captain America, Yelena, Shuri, Namor, Hank McCoy/Beast, Sentry, Alexei Shostakov/Red Guardian, John Walker/US Agent, and Joaquin Torres/Falcon.
Erik Per Sullivan originally played Malcolm’s younger brother, Dewey, in Malcolm in the Middle, the popular sitcom created by Linwood Boomer that premiered in 2000 on Fox and ran for seven seasons.
“The move was expected,” Deadline’s article notes. “Erik Per Sullivan, who played the role on the original series, was not expected to return as he quit acting in 2010 and has not participated in any of the Malcolm In the Middle reunions.”
Additionally, Anthony Timpano has been cast as Jamie, who is only a baby and toddler in the original series, while Vaughan Murrae will play Kelly, the youngest member of the Wilkerson family. Kelly doesn’t ever appear in Malcolm in the Middle; rather, the series finale revealed that Lois is pregnant with her sixth child.
“Kelly is described as self-sufficient,” Deadline’s article reads. “She gets good grades and is already wiser than most of the family.
Lastly, Keeley Karsten has been cast as Malcolm’s daughter, Leah, while it was previously announced that Kiana Madeira will play Malcolm’s girlfriend.
The Malcolm in the Middle revival will see the whole Wilkerson family gather together for Hal and Lois’ 40th wedding anniversary party. Boomer returns to write and executive produce the show, while Cranston, Tracy Katsky, Gail Berman, Arnon Milchan, Yariv Milchan, Natalie Lehmann, and Ken Kwapis also serve as executive producers. Kwapis directs all four episodes.
A Disney+ premiere date for the Malcolm in the Middle revival has not yet been announced.
A24 has released a new The Legend of Ochi video, showing off more of the film while also subtly addressing claims that the movie was made using AI.
What happens in The Legend of Ochi video?
The new video, posted by both A24 and director Isaiah Saxon, highlights the real-life effort that went into the film. This includes the use of practical effects, puppetry for some of the creatures, as well as the old school use of matte paintings to create backdrop images for the film’s fantasy settings.
The matte paintings and puppetry aspects in the video specifically address the controversy that The Legend of Ochi faced when it was initially revealed last year. At the time of its announcement, many fans were quick to claim that the movie was made using AI, a claim that Saxon has always been adamant has been false.
Check out the new behind-the-scenes look at The Legend of Ochi below:
to make our film, we employed such special effects as puppetry, animatronics, willem dafoe, people in ape suits, and matte paintings. pic.twitter.com/IhXxCMN5tJ
The Legend of Ochi is scheduled to premiere in theaters on April 25, 2025.
The Legend of Ochi is Saxon’s feature film directorial debut. Saxon also wrote the screenplay for the fantasy adventure film and produces it alongside Richard Peete, Traci Carlson, and Jonathan Wang.
“In a remote village on the island of Carpathia, a shy farm girl named Yuri is raised to fear an elusive animal species known as ochi,” the synopsis for the film reads. “But when Yuri discovers a wounded baby ochi has been left behind, she escapes on a quest to bring him home.”
Fans are looking for Ethel Cain ticket prices, particularly for presale tickets for her upcoming Willoughby Tucker Forever tour whose name comes from her second album. The 2025 concert run will stretch across North America and Europe and has 36 dates, starting on August 12 in Seattle, Washington and ending on November 9 in Lisbon, Portugal. While general tickets are slated to release on Friday, March 28, fans will be able to get into the artist presale that will be available two days earlier on Wednesday.
What are the ticket prices for Ethel Cain’s Willoughby Tucker tour?
The ticket prices for the 2025 Ethel Cain Willoughby Tucker is estimated to be somewhere between $60 to $90 on average.
This is based on a few factors. As noted by commenters in the Ethel Cain Reddit who purchased tickets for the artist’s tours over the last few years from 2022 to 2024, they generally ranged from $40 to $70. But given Cain’s rising popularity, we’ve bumped up the numbers conservatively to provide a better estimation. Once the artist presale begins, we’ll know more about the exact pricing structure for her tour.
The date and time for the artist presale will begin on Wednesday, March 26, at 10 am local time, based on the location of the venue. To access this, customers will need to sign up on Ethel Cain’s official tour page and click on “Register” for their preferred location. After entering the required information, a presale code will be sent via email and can be used at various ticketing websites, such as Ticketmaster.
Other presales through local venues, radio segments, and Spotify will be available the next day, Thursday, March 27.
Fans will recognize the name “Willoughby Tucker” as a reference to the name of Cain’s high school boyfriend, who she has sung about before, like in “A House in Nebraska.” For every ticket sold for the 2025 tour, $1 will be donated to the Ally Coalition.
Hoult will soon be seen playing Lex Luthor in James Gunn’s Superman, which arrives in United States theaters this coming July. He also recently played Thomas Hutter in Robert Eggers’ Nosferatu and led Clint Eastwood’s Juror #2.
Now, per Deadline, Hoult will star in an untitled bank heist movie that will be released in theaters.
What do we know about David Leitch’s bank heist movie with Nicholas Hoult?
The script for the movie — which comes from Amazon MGM Studios, Imagine Entertainment, and 87North — was written by Mark Bianculli. Leitch serves as a producer alongside Kelly McCormick, Brian Grazer, Jeb Brody, and Allan Mandelbaum.
Plot details are being kept under wraps at this time. A release date has not yet been set.
“The project has gained a ton of momentum in recent weeks after Leitch and McCormick boarded the project at the top of the year,” Deadline’s article notes. “Once the package hit the market, it wasn’t long before Amazon moved in to land the rights and the project soon began attracting high-profile talent with Hoult recently signing on to star with the plan to shoot later this summer.”
Leitch worked on 2014’s John Wick alongside Chad Stahelski before he then went on to direct 2017’s Atomic Blonde, 2018’s Deadpool 2, 2019’s Fast & Furious Presents: Hobbs & Shaw, and 2022’s Bullet Train. His most recent movie was 2024’s The Fall Guy starring Ryan Reynolds and Emily Blunt, while he’s also produced titles such as 2021’s Nobody, 2022’s Violent Night, and 2025’s Love Hurts.
In addition to the aforementioned titles, Hoult is known for playing Henry “Hank” McCoy/Beast in a number of the Fox X-Men movies and Nux in 2015’s Mad Max: Fury Road. He’s also starred in 2013’s Warm Bodies, 2018’s The Favourite, 2022’s The Menu, and more.
Photo Credit: Neilson Barnard | Getty Images for The Recording Academy
Curious about Taylor Swift’s Wonderstruck perfume and why it’s still making headlines years after its release? Once a popular celebrity fragrance, it has now become a sought-after item with prices that may surprise many. As fans continue to hunt it down, questions about its cost and current market value are coming up more often.
Here’s a breakdown of how much Wonderstruck costs today and the key reasons behind its rising resale prices.
How much does Taylor Swift’s Wonderstruck perfume cost?
Taylor Swift’s Wonderstruck perfume currently sells for a wide range of prices due to its discontinued status. On resale platforms like eBay, listings for the 3.4 oz Eau de Parfum have sold for anywhere between $75 and $350 depending on the condition, packaging, and whether the bottle is sealed or partially used.
Sellers typically list smaller sizes, such as 0.5 oz or travel minis, for $20 to $130. They price sample vials and partially filled bottles between $15 and $85. Prices change frequently, especially for brand-new, unopened items that collectors and fans actively seek.
Why is Taylor Swift’s Wonderstruck perfume so expensive?
The primary reason for the high price of Wonderstruck is its discontinued status.
Because the fragrance is no longer in production, resellers raise their prices to reflect its limited availability. Buyers now turn to secondary markets, where pricing depends on demand and remains unregulated.
Taylor Swift launched Wonderstruck in 2011 as her first endorsed perfume. As production ended, the supply dwindled, and listings on platforms like eBay began showing higher resale prices. New, sealed bottles or those with original accessories typically command the highest prices.
No new stock enters the market, and buyers continue to use existing inventory, causing the number of available bottles to drop. As a result, listings often show fluctuating and elevated prices, especially for larger or unopened units. This trend reflects how the resale market typically responds to discontinued beauty and celebrity-endorsed products.
Disney Plus’ new TV and movie release schedule for March 24 – March 30, 2025, includes David Blaine Do Not Attempt’s first two episodes, Marvel Television’s Daredevil: Born Again episodes 5 and 6, Mufasa: The Lion King, and Morphle and the Magic Pets: Shorts.
On March 24, David Blaine’s Do Not Attempt’s first two episodes drop on Disney Plus. The documentary series focuses on magician David Blaine connecting with the people performing incredible and jaw-dropping tricks. As the series progresses, viewers will be mesmerized by the magical events, while Blaine also strives to improve his skills.
Later, Daredevil: Born Again episodes 5 and 6 will be available on the streaming platform. The previous episode of the action-adventure series showcased Hector’s niece blaming the police for her uncle’s tragic demise. Further, Matt tries to comfort Angela and assures her that he will bring justice to Hector.
Also coming out on Disney Plus is Morphle and the Magic Pets: Shorts. The animated series chronicles the lives of Mila, her shapeshifting pet Morphle, and her stepbrother Jordie. Together, they embark on numerous adventures to save their town from trouble.
Additionally, the musical animated film Mufasa: The Lion King premieres on the streaming platform. It focuses on the life of the orphaned and lonely cub Mufasa who comes across an empathetic lion, Taka. Thus, begins an extraordinary journey of two misfits who attempt to fulfill their desires.
New Disney Plus releases for March 24 – March 30, 2025
Below are all the new TV shows and movies being added to Disney Plus from March 24 – March 30, 2025.
March 24
David Blaine Do Not Attempt – Two-Episode Premiere
March 25
Marvel Television’s Daredevil: Born Again – Episodes 5 & 6 at 6 pm PT
March 26
Morphle and the Magic Pets: Shorts (S1, 10 episodes)
Mufasa: The Lion King – Premiere
March 28
Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip – Premiere
Paramount+ has officially enlisted two new series regulars to join the Tulsa King Season 3 cast for the upcoming return of the hit Sylvester Stallone-led crime drama. Production on the next installment had just started, after over four months since Season 2 concluded its 10-episode run.
Who is joining the Tulsa King Season 3 cast?
Robert Patrick (Terminator 2: Judgement Day, 1923) and Beau Knapp (SEAL Team, Road House) have been tapped for series regular roles in Tulsa King Season 3. Patrick will be playing the character of Jeremiah Dunmire, who’s described as “a powerful, forceful man with deep pockets in the liquor business.” Meanwhile, Knapp will portray Jeremiah’s son Cole Dunmire, who will be introduced as “a trust fund country boy with crazy in his eyes.”
Tulsa King is created and executive produced by Taylor Sheridan. For the third season, executive producer Dave Erickson (Mayor of Kingstown) has been tapped as the new showrunner. The main cast also includes Andrea Savage, Max Casella, Martin Starr, Domenick Lombardozzi, Vincent Piazza, Jay Will, Garrett Hedlund, Annabella Sciorra, and Dana Delany. It is executive produced by Stallone, David C. Glasser, Ron Burkle, Bob Yari, David Hutkin, Braden Aftergood, Jim McKay, Sheri Elwood, Ildy Modrovich and Keith Cox.
“The series follows New York mafia capo Dwight ‘The General’ Manfredi just after he is released from prison after 25 years and unceremoniously exiled by his boss to set up shop in Tulsa, Okla,” reads the synopsis. “Realizing that his mob family may not have his best interests in mind, Dwight slowly builds a crew from a group of unlikely characters, to help him establish a new criminal empire in a place that to him might as well be another planet.”
The Dark Winds Season 3 Episode 3 release date and time are not too far away and viewers are eager to know the details and how they can watch the episode online. This episode titled “Ch’į́į́dii (Ghosts),” finds Leaphorn and Chee tracking down a new suspect by following his trail. Meanwhile, Special Agent Washington finds a body during her own investigation, which puts her on a different path. Furthermore, Manuelito gets closer to danger as she continues pursuing her personal investigation tied to human and drug smuggling.
So, here is what you need to know about when and where to watch the latest episode of the show.
When is the Dark Winds Season 3 Episode 3 release date & time?
The episode’s release date is March 23, 2025, and its release time is 9 PM Eastern Time (ET) and 6 PM Pacific Time (PT).
Check out its release times in the U.S. below:
Timezone
Release Date
Release Time
Eastern Time
March 23, 2025
9:00 PM
Pacific Time
March 23, 2025
6:00 PM
Find out how many episodes will be available to watch in Dark Winds Season 3 here.
Where to watch Dark Winds Season 3 Episode 3
You can watch Dark Winds Season 3 Episode 3 via AMC and AMC Plus.
AMC and AMC Plus are a basic cable television channel and a streaming service owned by AMC Networks, respectively. Both platforms provide subscribers with a variety of content, whether it be films, television shows, or documentaries. Fans can subscribe to AMC either via the official application or website or as an add-on on other platforms like Apple TV and Amazon Prime Video. AMC Plus has a monthly ad-support subscription plan for $6.99, a monthly ad-free plan for $9.99, and a yearly plan for $95.88.
What is Dark Winds about?
The official synopsis for Dark Winds is as follows:
“This psychological thriller follows two Navajo police officers, Leaphorn and Chee, in the 1970s Southwest as their search for clues in a grisly double murder case forces them to challenge their own spiritual beliefs and come to terms with the trauma of their pasts.”
Emmy nominee Regé-Jean Page (Bridgerton) has officially signed on for the leading role in The Count of Monte Cristo movie, which he will also produce through his production banner A Mighty Stranger. This project serves as the newest iteration of Alexandre Dumas’ classic 1846 French novel of the same name.
Page most recently starred in Focus Features’ spy thriller movie Black Bag, which was led by Cate Blanchett and Michael Fassbender. He is currently attached to lead Amazon MGM Studios’ untitled Butch Cassidy and the Sundance Kid-inspired series, which has been in development since 2022.
“Bold, adventurous storytelling with heart is the reason I got into this business, and is the backbone of everything we’re making,” Page said in a statement. “Working alongside incredible collaborators, A Mighty Stranger is building a slate of creative-led projects that will broaden the cultural lens through pure entertainment. That’s why we’re so excited to be bringing The Count Of Monte Cristo to global audiences, unlocking the depths of Dumas’ work in ways not seen yet.”
Who is involved in the new The Count of Monte Cristo movie?
Page’s version of The Count of Monte Cristo will be written by Patrick Ness. It will be produced by Mike Larocca and Michael Schaefer for Department M, Emily Brown for A Mighty Stranger, and Youtchi von Lintel for YouRoc. This marks Page’s first time producing a feature after he gained international recognition for his leading performance in Bridgerton Season 1.
The original novel follows the story of a man seeking revenge after he was betrayed and locked away in a solitary prison for years. It has been adapted into film and TV a number of times now dating back to 1908. This includes Paul Schrader’s 1999 film adaptation titled Forever Mine, starring Joseph Fiennes and Ray Liotta, as well as Kevin Reynolds’ 2002 film starring Jim Caviezel, Guy Pierce, the late Helen McCrory, and a then 18-year-old Henry Cavill in one of his earlier films.
On X, Reynolds posted a video featuring what appears to be all of Deadpool & Wolverine, Deadpool 2, and Deadpool in their entirety; however, the movies are highly sped up and the video is only 32 seconds long.
What did Ryan Reynolds say about the Deadpool video?
“A decade really zips by,” Reynolds’ caption reads. “Deadpool started filming 10 years ago.”
Noticeably missing from the video is any footage from X-Men Origins: Wolverine, which was the first time that Reynolds played the Wade Wilson character. It does, however, end with a moment from the Deadpool test footage that was leaked online in July 2014.
The first Deadpool movie was directed by Tim Miller. It hit theaters in February 2016 and quickly became a massive hit, raking in over $750 million at the global box office. It became the highest-grossing R-rated film; although, it was later surpassed by both Deadpool sequels, along with 2019’s Joker and 2023’s Oppenheimer.
Deadpool 2, which was directed by David Leitch, came in 2018, while Deadpool & Wolverine was released in theaters this past summer. That movie officially brought Wade into the MCU, leaving fans wondering what project Deadpool might show up in next.
Reynolds, however, hasn’t revealed anything about what the future might hold in store for the character. He told The Hollywood Reporter in December 2024 that he sees Deadpool as “a great supporting or ensemble player” rather than a potential lead in future Marvel movies.
“Deadpool works best if you take everything away from him and put his back against the wall,” he commented. “I can’t really do that again. A fourth time feels a little iterative and redundant. That doesn’t mean sacrificing fun. There is still an arc for Deadpool which is fulfilling and powerful.”
Deadpool, Deadpool 2, and Deadpool & Wolverine are all currently available to stream on Disney+.
Originally reported by Brandon Schreur at SuperHeroHype.
Blake Lively has joined her husband Ryan Reynolds in filing a motion to be dismissed from Justin Baldoni’s lawsuit, calling Baldoni’s claims a “profound abuse” of the legal system.
What did Blake Lively’s motion for dismissal say?
According to a new motion filed by Lively and her legal team (via Deadline), Lively cites a California misconduct law that protects individuals who report sexual misconduct from retaliatory lawsuits. Lively’s legal team claim that their motion fits perfectly into that, noting that Baldoni is “weaponizing” his defamation lawsuit.
“The law prohibits weaponizing defamation lawsuits, like this one, to retaliate against individuals who have filed legal claims or have publicly spoken out about sexual harassment and retaliation,” the motion reads, in part.
The motion also argues that Baldoni’s countersuit is nothing but the filmmaker being vindictive against Lively, a move her legal team describes as an “abuse of the legal process.”
“This lawsuit is a profound abuse of the legal process that has no place in federal court,” Mike Gottlieb and Esra Hudson, attorneys for Lively, said in a statement. “California law now expressly prohibits suing victims who make the decision to speak out against sexual harassment or retaliation, whether in a lawsuit or in the press.”
The exact law they are citing in the motion, Assembly Bill 933, was added to California law in 2023 and protects individuals who make statements about harassment, assault, or discrimination from defamation claims unless they acted with genuine malice. Should the court grant Lively’s motion, Baldoni’s lawsuit would be dismissed and the filmmaker would be forced to pay for Lively’s legal fees as well.
Reynolds filed to dismiss the suit this week
In a motion to dismiss filed this week (via Deadline), Reynolds and his legal team said that Baldoni’s entire reason for suing Reynolds are based around two times where Reynolds allegedly called Baldoni a “predator,” as well as the appearance of “Nicepool” in 2024’s Deadpool & Wolverine, a character that Baldoni claims was made and included to mock him.
“The entirety of Plaintiffs’ defamation claim appears to be based on two times that Mr. Reynolds allegedly called Mr. Baldoni a ‘predator,’” the motion reads, in part. “But, the FAC alleges no plausible facts that suggest Mr. Reynolds did not believe this comment to be true.”
Reynolds’ legal team, led by Mike Gottlieb and Esra Hudson, continued to tear down Baldoni’s lawsuit, calling it nothing more of a “gossip rag” filled with “thin-skinned outrage” than an actual legal document. Although Reynolds’ motion doesn’t exactly deny Reynolds calling Baldoni a predator, it does say that even if that happened, it doesn’t constitute defamation if Reynolds actually believes it.
“The entirety of Mr. Baldoni’s case appears to be based on Mr. Reynolds allegedly privately calling Mr. Baldoni a ‘predator,’ but here is the problem, that is not defamation unless they can show that Mr. Reynolds did not believe that statement to be true,” the motion states. “The complaint doesn’t allege that, and just the opposite, the allegations in the complaint suggest that Mr. Reynolds genuinely believes Mr. Baldoni is a predator.
“Mr. Reynolds’ wife has accused Mr. Baldoni — privately and in multiple complaints — of sexual harassment and retaliation, and as pointed out by Mr. Reynolds’ motion, Mr. Baldoni has also openly spoken about his past of mistreating women and pushing the boundaries of consent. Mr. Reynolds has a First Amendment right to express his opinion of Mr. Baldoni, which should be comforting to a group of people who have repeatedly called Ms. Lively and Mr. Reynolds ‘bullies’ and other names over the past year.”
In 1937, Walt Disney Productions made the first animated feature film ever produced in the United States. Snow White and the Seven Dwarfs won critics and audiences over and paved the way for Disney to continue making magic happen for decades. Their movies became a formative part of our childhoods for generations. Cut to 2025, where Disney is now the leader of a recent trend of sequels and live-action remakes of their animated classics. Because in an increasingly unpredictable Hollywood landscape, they’ve found their comfort in IP, using our nostalgia to create halfhearted money-makers: hence, Snow White.
It’s a bold move to remake any classic movie, but at this point, it seems like Disney will not stop until they have squeezed every bit of their greatest films dry of all their worth. Remaking the first cel-animated feature film into live-action? It can be seen as a risk-averse move, but honestly, the audacity to make something like this is commendable. That original movie is so perfect that it’s a hard act to follow, but here we are, with yet another remake that follows a similar pattern as the others. When it works, it works well. They update and expand the story to reflect modern values. But when it doesn’t work, it will make you want nothing more than to just watch the original.
Like the original, we begin with a storybook opening up and a voice telling us how the story of a fair maiden named Snow White (Rachel Zegler) grew up. This film does a wonderful job of expanding on the story we’re familiar with. Of course, we’ve gotten dozens of other live-action movies that have interpreted the Brothers Grimm’s iconic story. But this is the one that has the most elements from the 1937 Disney film while elaborating on Snow White’s relationship with her birth parents and how she ended up as the stepdaughter of a beautiful evil queen (Gal Gadot).
The film features a few new songs. It opens with a great song called “Good Things Grow,” which I quickly realized was only as great as it is because of how similar it sounds to “This is Me” from The Greatest Showman soundtrack. Benj Pasek and Justin Paul are two of the most talented songwriters in Hollywood, but they have a tendency to self-plagiarize, and this song does feel like an imitation of work we’ve heard from them previously. They also give Snow White an “I Want” song named “Waiting on a Wish,” another solid song. Pasek & Paul’s work with lyricist Jack Feldman on this film ends up giving us some of the best original songs of any live-action Disney remake (whatever we got in The Little Mermaid was not it).
Now, let’s talk about what many of us were curious about: Rachel Zegler and Gal Gadot. Zegler has had a career young actresses can only dream of: from a classic musical directed by Steven Spielberg to a DC superhero movie to a Hunger Games film to an A24 comedy, she’s done an incredible amount of work. Whoever her agent is, they deserve a raise. But is she good for the character of Snow White? Sometimes. She has a few moments where she has the right energy and a few moments where her acting is very mannered, almost as if everything she’s doing is calculated enough to a point where it feels like a performance.
If you’re not watching too closely, Zegler has a perfect Disney princess energy. Her singing voice, which she has gotten to use a lot of in her career, is splendid. She has one of the best voices in Hollywood, and she makes full use of it in this film. Because of a combination of her appearance, performance, and costume, it can sometimes feel less like we’re watching Snow White and more like someone dressed in a Snow White costume for Halloween.
Now, let’s talk about Gal Gadot. She doesn’t have a reputation for being the most talented of thespians. Sure, she’s had her fair share of high-profile roles, mainly with Wonder Woman and the Fast & Furious movies. But every few months, some terrible line reading of hers goes viral on Twitter, and the cultural zeitgeist goes towards her inability. This is a role where she could have proved everyone wrong. She doesn’t, really. Her performance is campy evil, and she’s really trying here. I commend her efforts, but she has some laughable moments. She gets a Disney villain song, but I don’t know why they’d give one to her because a singer, Gadot isn’t.
But I’ll give her credit where credit is due: there’s a scene in this film where the Evil Queen transforms herself into a homely elderly woman. Assuming that was Gadot covered in makeup and not some actress they swapped in, that’s some of the best acting of her whole career. She’s phenomenal in that scene because it’s the first time she’s been allowed to transform into something different. She’s not using her looks or voice in this moment, and this is where you can actually see that maybe, just maybe, she’s got some talent.
Here’s another key change Snow White makes. In the original film, the Prince isn’t much of a character. He shows up briefly in the beginning and then at the end to save Snow White. But this film decides to give the male character some development. He’s no longer a prince; rather, he is a local rebel and thief named Jonathan (a great name; he stole it from me, though). Andrew Burnap plays the character well, and much like The Little Mermaid remake, this movie spends more time fleshing out this romance. They’re given time in the second act to connect. Unfortunately, I didn’t see much chemistry between Zegler and Burnap; they felt like two actors instructed to act romantically in a movie, not two people genuinely falling for each other.
Many of Snow White and Jonathan’s scenes take place in a forest during the daytime. Some of these scenes look about as visually interesting as a made-for-TV movie. While there are beautiful sequences throughout this film, the forest scenes look way too boring for a movie of this size. It’s surprising that these two elements, romantic chemistry and powerful cinematography, can be missing from a Marc Webb movie. Webb has previously directed an all-time favorite of mine, 500 Days of Summer, and he is also known for directing the two Andrew Garfield Spider-Man movies. All of those films were filled with those, so it’s strange how this movie misses the mark there.
I also want to talk about the decision to make CGI dwarfs instead of casting real little people to play these characters. People of short stature have their roles in Hollywood limited already, so to see these roles be replaced with CGI seems like a misstep. It wouldn’t be as bad if the CGI wasn’t so noticeable whenever they show up, but it sticks out like a sore thumb. It had to have cost millions for Disney to pay for the VFX, motion capture actors, and voice actors. All they really needed were actual little people. Instead, the only little person they cast was Martin Klebba. But what makes it puzzling is they have another supporting character in the film who is played by a little person. It seems like a choice made to hammer home the point that these unsanitary dwarfs who work in mines and live in one house are not an actual representation of little people.
However, it seems unnecessary to do that. Keep in mind this is a fantasy film about a princess who breaks out into song and dance and can communicate with animals. Realism is not the priority, so the worry of the dwarfs being an actual representation of little people seems a bit ridiculous. But even so, the dwarfs are some of the most lovable characters in both this film and the original movie, so if anything, we could have had a movie that introduced us to new faces. We could have had some fan-favorite performances from many actors of short stature, giving them opportunities to keep working in movies and TV, but that’s an opportunity long gone. If you want to see what I just described, you can always watch the 2012 Snow White film Mirror Mirror, starring Lily Collins, Julia Roberts, and a wonderful cast of little people, including Martin Klebba.
The animal animation is good. Disney’s finally figuring out how to keep the animals expressive while retaining some realism in their live-action remakes. Some of the dance choreography works well. “Whistle While You Work” is just as wonderful as ever. Webb’s experience in music videos shines here and there, but everything still pales in comparison to the original, where it seemed like every action the characters and animals took allowed the soundscape to be made of music. This movie doesn’t keep that.
As for Erin Cressida Wilson’s screenplay, there are many good ideas here. It’s slightly funny at times, and even though I wouldn’t change a thing about the original film, it is a wise choice to develop Snow White’s love interest and that romance story. But a few elements feel out of place as well. The movie sets up something surrounding Snow White’s father, which doesn’t lead to anything particularly interesting. The final act is also quite different from the original, and the ending ends up feeling underwhelming. There was the possibility of going bigger and crazier with the climactic finale, but this finale features a dialogue-filled scene that doesn’t leave the impact it thinks it does.
Live-Action Snow White Review: Final Verdict
Overall, is this the worst Disney live-action remake? No. It’s better than Mulan and a tad better than The Little Mermaid. Unlike The Lion King, this movie actually has a few original ideas, and it knows how to take the ingredients we’re familiar with and do something new. Does it succeed at that? Partially. By the end of it, Snow White is not the fairest remake of all.
SCORE: 5/10
As ComingSoon’s review policy explains, a score of 5 equates to “Mediocre.” The positives and negatives wind up negating each other, making it a wash.
Disclosure: ComingSoon attended a press screening for our Snow White review.
