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Samuel Goldwyn Films has announced the release date for its upcoming crime drama titled Tin Soldier, starring Academy Award winners Robert De Niro and Jamie Foxx. In addition, the studio also shared its official trailer, featuring Fast & Furious star Scott Eastwood as a soldier tasked to take down a cult leader.
“When the leader of a dangerous cult triggers a standoff with authorities, a former soldier returns to the compound he left many years prior to face down the man he used to follow and search for his missing wife,” reads the official synopsis.
The Tin Soldier is scheduled to arrive in theaters on September 12, 2025. Afterward, it will then be available to buy or rent on digital platforms on September 30, 2025. The cast includes Eastwood as Nash Cavanaugh, Foxx as Bokushi, De Niro as Emmanuel Ashburn, John Leguizamo as Luke Dunn, Shamier Anderson as Kivon Jackson, Rita Ora as Mama Suki, Nora Arnezeder as Evoli Carmichael, Saïd Taghmaoui as Atlas, Laurence Mason as Shinja John, and more.
The movie is directed by Brad Furman from a screenplay he co-wrote with Pablo Fenjves and Jess Fuerst. It is produced by Fuerst, Furman, Steven Chasman, Keith Kjarval, and Jim Seibel, with Tim Maurice-Jones and Chris Hajian serving as the film’s cinematographer and composer, respectively. Last May, Samuel Goldwyn Films had acquired the North American distribution rights to the action crime thriller movie.
Sony Pictures Classics has shared the teaser trailer for Nuremberg, its new historical drama starring Academy Award winners Russell Crowe and Rami Malek. The movie will have its world premiere at the 2025 Toronto Film Festival this September, followed by its theatrical release on November 7, 2025.
“The Allies, led by the unyielding chief prosecutor, Robert H. Jackson, have the task of ensuring the Nazi regime answers for the unveiled horrors of the Holocaust while a US Army psychiatrist is locked in a dramatic psychological duel with former Reichsmarschall Herman Göring,” reads the official synopsis.
The video introduces Crowe as a former high-ranking Nazi officer who must go under trial for his role in the Holocaust. In order to make this happen, American psychiatrist Douglas Kelley is tasked to determine whether their Nazi prisoners are fit to stand trial for their war crimes. This leads him to enter a battle of wits with Hitler’s right-hand man. Joining Malek and Crowe are Michael Shannon, Richard E. Grant, Leo Woodall, John Slattery, Mark O’Brien, Lydia Peckham, Colin Hanks, Wrenn Schmidt, Lotte Verbeek, and Andreas Pietschmann.
Nuremberg is written and directed by Zodiac filmmaker James Vanderbilt, based on Jack El-Hai’s 2013 non-fiction book The Nazi and the Psychiatrist. The movie is produced by Vanderbilt, Richard Saperstein, Bradley J. Fischer, William Sherak, Frank Smith, Benjamin Tappan, Cherilyn Hawrysh, István Major, and George Freeman. Executive producers are Jack El-Hai, Brooke Saperstein, Annie Saperstein, Beau Turpin, W. Porter Payne, Jr., Paul Neinstein, and Széchenyi Funds Géza Deme and Tamás Hajnal.
Julia Garner recently shared an update regarding whether the Madonna biopichas been canceled. The film based on the renowned pop icon was announced by Universal Pictures in 2020, but the production of the biopic was later canceled in 2023. However, work on the biopic was later resumed in 2024.
Julia Garner says Madonna Biopic is happening, reveals how she was cast
The 31-year-old actress, who recently played the Silver Surfer in Marvel’s The Fantastic Four: First Steps, opened up about the Madonna biopic and revealed whether it is canceled.
Julia Garner joined the SmartLess podcast hosts Will Arnett, Jason Bateman, and Sean Hayes on their latest episode, where she shared details about the biopic. She stated, “That’s supposed to still happen.” Garner further expressed her admiration toward the 66-year-old singer and disclosed how she got cast as the music icon.
The Weapons star continued, “I was such a fan of Madonna’s. Um, you know, I grew up listening to Madonna. It just came about. I knew they were doing a project, making a movie about it, and then I went out to audition. I kind of just wanted to see if I could do it, because I wasn’t a trained dancer, and I had to learn how to dance and then dance in front of her and convince her that I can dance, basically, and sing. And sing with her!”
Garner further added, “OK, what would Madonna do? Which is convince you that she deserves, you know, to be in this room, and I owned it. I was kind of like, ‘You can take it or leave it, but if you leave it, if I leave, then that’s on you.'”
Julia Garner joined the Madonna biopic in 2022; however, the movie was later shelved. Work on this much-awaited biopic, which is supposedly titled Who’s That Girl, restarted in 2024.
Lou Diamond Phillips spoke to ComingSoon about his new horror movie Et Tu, which sees him play a theater director gone mad. The actor also gave an update on Young Guns 3 and his thoughts on the La Bamba remake. The great new horror movie from Buffalo 8 is available to rent or buy on all digital platforms.
“Brent is not a happy director. For weeks, he’s had to watch an awful play – his awful play. Adding insult to injury, he’s convinced his wife is having an affair with his idiot leading man. Fortunately for Brent, the theater’s Janitor has been mopping the stage long enough to know a dark secret that may help rid him of his troubles. That is, so long as he’s willing to get some blood on his hands,” says the synopsis.
Tyler Treese: Lou, such a pleasure to speak with you, especially about a film as interesting as Et Tu. I was really blown away by it, and particularly your performance. It was such a great surprise. I hadn’t seen the festival buzz, so this just totally took me by surprise and I loved it. There’s so much intensity to your character, and viewers are really on edge, wondering who’s gonna snap initially and where this film’s going. At first, can you speak to the, the elements that you really honed in for in this particular character? Because there’s an electricity in this performance
Lou Diamond Phillips: Thank you, that means a lot to me. I really appreciate it. And I love the fact that you didn’t know what was coming because that was the way it was with the festival audiences. They didn’t know what to expect because the film sort of defies categorization. You know, you don’t know what you’re gonna get.
And there were times during the festivals when the audience finally realized that they had permission to laugh because some of this stuff is dark and funny. And Brent is such an intense character. He’s wound so tight, and he starts at a certain level, and it just escalates from there.
The film itself is very condensed. It takes place mostly in one night. It’s a little bit like Birdman in that respect. I mean, it’s almost real time to a certain degree. And I just loved that. But also, I mean the writing. Max Tzannes’s writing was, was so wonderful. So many monologues, so much verbiage. Such an articulate, literate, intelligent character, you know? I mean yes, pretentious, yes, an elitist and a purist. But there’s something so fun about that.
So, for me it was really getting the language right. Approaching it much like I would approach a theater piece, where the word is sacred and you say it exactly the way he wrote it. So you find a way to make that syntax yours.
I just love the challenge. And then get to set and find out that we’re doing these long takes five or six pages at a time, and only like one or two, three takes max, I think maybe two times, three times during the course of the show. I actually got a third take. A lot of that stuff is, is boom, rehearse it, Max likes it, put it down.
I said he’s like a Steven Soderbergh, this kid, because if he liked it, that’s it. You move on.
That’s high praise. I know you worked with him on Che, and that’s a great film as well.
That’s the same thing. I think I got two takes in every scene I ever did, you know, and that was only, and it’s like, “oh, that was great. You know, let’s move on.” It’s like, “Oh, can I have another, you know?”
This film is very appropriately Shakespearean. Julius Caesar is the backdrop to this whole movie. As you mentioned, it takes a while for the crowd to understand that they can laugh. There’s a real tone shift about halfway through, and it gets darker and much funnier than I was expecting. And Shakespeare’s obviously very funny in his works, even though we know the tragedies best of all. What did you like most about that juxtaposition of having Julius Caesar in the background while all this chaos is happening?
Lou Diamond Phillips: It’s absolutely operatic. The setting and the tone of it is. It’s also the heightened language that Brett uses. I mean, you are immersed in the theater. Isn’t it so funny? I mean, one of the notes that he gives in the beginning, he’s like, “it’s all too casual.”
There’s nothing casual about what he does. It’s all at 11, you know, and so that growing sense of drama – especially in a play like Julius Caesar where everyone knows you’re building to the murder. It is pretty fascinating.
Once again, Max, as a young writer-director, did something that I feel is very classic. I mean, Vincent Price could have played this role back in the seventies. It would’ve been fantastic.
About 50 minutes into the film, Malcolm McDowell comes out and he just commands the scene and the screen. It’s incredible. How is it getting to work with him? Another legend. He’s still firing on all cylinders. It’s a classic performance by him.
A hundred percent. And this role is so tailor-made for him. I don’t know, but I wouldn’t be surprised if Max told me he actually wrote it for him. I don’t know, man.
It’s just so entertaining to watch, you know? And I had a front row seat being in the scenes with him, and like I said, we would do one rehearsal and then a couple of takes, and it was just like, boom boom, boom, boom, boom. You know? We were ready, man. When it was game on, there we went.
And we had a really fortunate chemistry from the beginning, and a great rhythm. And I mean, that’s why so many of those shots are two shots, and you just see us going back and forth and having a great little tennis match. It’s a joy. I mean, as an actor, that really is kind of the epitome. You’re striving your whole career to have that kind of work on film with that kind of other actor, you know?
You play a stage director in this film. I know you did an acclaimed run of The King and I, but I wasn’t sure how extensive your theater background was. Did you incorporate any facets of directors you’ve worked with into this character, or how was it about finding his quirks? Because Brent has a lot of quirks.
He has got a lot of quirks. Fortunately for me, I’ve never worked with anybody quite like him.
Yes. I played The King in The King and I in a revival. We won Best Revival in 97, directed by Christopher Renshaw, who’s very English, very demanding, and very pointing. So there’s a bit of that there.
Dr. Peter Weller is a really good friend, not only a fantastic actor, Robocop, but a wonderful director. He’s directed me a couple of times, and he has a great presence and a great flair. He will wear a beret without irony, you know, and when I was developing the look for Brent – the glasses and the sort of Tim Burton hair. Just really trying to create an iconic look and feel for this guy.
Luis Valdez is a really strong director. I have a degree in theater, a Bachelor of Fine Arts from the University of Texas at Arlington. I started off doing a lot of professional theater and do theater whenever I can. I wrote a play that was done at the Seven Angels Theater in Connecticut. A comedy called Burning Desire just about a year and a half ago. I did Miss Saigon at Casana in Fort Worth.
So I try to get back on stage and keep those muscles working. So, yes, I had a lot to pull from.
I’m a huge fan of Westerns, so I have to ask – I’m a big fan of the Young Guns movies. What’s the latest update on Young Guns 3?
Lou Diamond Phillips: I talked to Emilio a couple of weeks ago, and right now we’re on. We hope to shoot in the fall, late September, October, November, somewhere right in there. He’s already location scouted back at some of the original locations in New Mexico. Myself, Christian Slater… Emilio is gonna direct and obviously play Billy, he wrote the script with John Fusco, the original writer. It’s really exciting and it’s really, really solid. The script is fantastic.
I’m a big video game fan, and I always thought it was so cool that you voiced Forge in the X-Men Legends games. What interested you about that role? Because I haven’t seen you do a ton of voice work before then. I’ve seen you do some more recently, but how did that come about?
That one was so bizarre that one just kind of came to me. They offered it to me, and I ended up doing two of those games. I always wished that Forge would show up in the movies because then maybe I could make the jump, like Jeffrey Wright did with The Last of Us.
But I think a lot of people know now that Call of Duty Black Ops 6 where they facial captured me in addition to performance capture. So that is me. They put a full beard on me, though. I look like Ben Affleck in Argo.
I’m also in Diablo. I think it’s a Diablo IV, yes, for the spiritual guide in that. And then a couple of other appearances. Specter in [Justice League: Crisis on Infinite Earths].
So yeah, I’m doing it and I’ve got a big, big animated voiceover performance coming up soon that I signed an NDA for. So keep your ears open. That’s coming pretty soon.
That’s very exciting. You mentioned you’d hope they would introduce Forge in the movies. X-Men are coming to Marvel in the future. Would you be interested in doing a superhero movie if the role were right?
In a heartbeat. Are you kidding me? You know, it’s so funny. I literally saw Frank Grillo recently, and we did Werewolves together. Which I was thrilled that the, the film came out wonderfully and it got a theatrical release and I think might still be streaming,
But he pops into Superman and has a little role, and it’s like, “Oh, you get into one of these, and you know, you’ve got connective tissue to some of the other films.” So, that’s not a bad gig to have.
It feels like sacrilege to me, but there’s been talk about a remake of La Bamba, and that’s like a perfect movie to me. I just wanted to get your thoughts because that’s one of your most iconic performances. Do you have any mixed feelings about that? Because that is a role you really defined, but it’s also like a great story, and more people will revisit the original if it does happen. So there’s a lot to ponder there.
Lou Diamond Phillips: Yeah, no, that’s happening as well. And it’s interesting, when I first heard about it, and I heard about it from the family it was, it was Irma and Mario, his little brother and little sister who I’ve seen a lot recently, they said they’re gonna remake it. I said, “Why?”
And that’s exactly what Luis Valdez said, but then Luis signed on to be a consultant. So I think that’d be good. My first thought is if it benefits the family, I’m happy, you know that’s great. And I thought, “What is there left to tell?” I mean, it’s interesting because his career was only eight months long. He was 17 years old. We covered a lot of ground focused on the family. It might be interesting, I’ve said this before I actually got approached to do a Buddy Holly project, and I thought “What you should show that nobody’s ever shown was how tough the Winter Party Dance tour was.” 2-3 weeks of sheer hell that led Holly to make that decision to charter the plane. The bus was breaking down. The heater didn’t work. They were sleeping in their clothes. They hadn’t done laundry in weeks. They were burning newspapers in the aisles. I think the drummer of the band got frostbite in his toes. So that in and of itself might be an interesting angle.
Then just some of the adventures that Ritchie had as fame overtook him — the Alan Freed Show in New York, the Dick Clark Show. Those were touched on, but not in a whole lot of depth. So, if somebody is doing their research, there is an interesting angle there depending on what they want to do.
But if they do a straight remake, it’d be like, “Why? Why would you do that?”
Yeah, totally. That’s a great point. It’s been really cool seeing you do more directing in TV lately. Fingers crossed you’ll get to do another movie here. So I would love to see another feature from you.
I appreciate that. Thank you. I also got The Chair Company with Tim Robinson coming on HBO in October. It’s workplace comedy. It’s funny, funny stuff. I get to play Tim Robinson’s boss, and man, that guy’s amazing. Oh yeah, he just goes to 11.
Thanks to Lou Diamond Phillips for taking the time to talk about Et Tu and his career.
Curious about what’s coming up this week in Salem? The latest Days of Our Lives spoilers preview high-stakes courtroom drama, tense family showdowns, unexpected reunions, and power moves that could shift loyalties and futures for several characters.
Here’s what Days of Our Lives spoilers from July 28 to August 1, 2025, reveal.
Days of Our Lives spoilers preview for what happens this week
Monday, July 28
Julie gloats to Gwen after recent events give her the upper hand. Tony sets bold plans in motion to take DiMera Enterprises back from Titan’s control. Gabi recruits Steve for a new high-stakes assignment involving corporate sabotage. Marlena confides in Kayla about her growing worries, personal doubts, and John’s unusual behavior.
Tuesday, July 29
Johnny’s trial gets underway, drawing intense attention. EJ squares off against Belle in a high-stakes courtroom clash. Kate and Philip reconnect and reflect on the past. Jada challenges Stephanie about her loyalty and recent actions.
Wednesday, July 30
Susan warns EJ, raising new questions about her motives. Holly shares a heartfelt moment with Maggie and strengthens their bond. Unexpected news crushes Tate. Chanel and Johnny work on building their future. Sarah confronts Sophia over her role in the recent troubles.
Thursday, July 31
EJ and Chad begin to investigate Susan’s mysterious new powers. Xander and Sarah attempt to find stability in their rekindled relationship. Kayla gives Steve personal advice about handling his next steps. Alex tries to support Stephanie as tension builds around her.
Friday, August 1
An unexpected situation traps Chad and Cat together, forcing them to talk. EJ drops cryptic hints about major plans. Marlena senses something’s wrong and presses Rachel for answers. Xander and Gwen share an uneasy dinner. Brady and Sarah bond over recent events and shared frustrations.
New episodes of Days of Our Lives stream weekdays on Peacock.
The And Just Like That… Season 3 Episode 10 release date and time are right around the corner. This comedy drama series serves as the sequel to the global HBO hit show Sex and the City. Sarah Jessica Parker, Cynthia Nixon, and Kristin Davis return as the leading trio Carrie, Miranda, and Charlotte, respectively. Other notable cast members include Mario Cantone, Evan Handler, Karen Pittman, and more.
Here is everything you need to know about the release details of And Just Like That… Season 3’s tenth episode.
When is the And Just Like That… Season 3 Episode 10 release date & time?
The episode’s release date is Thursday, July 31, 2025, and its release time is 6:00 p.m. PT and 9:00 p.m. ET.
Check out its release times in the U.S. below:
Timezone
Release Date
Release Time
Eastern Time
July 31, 2025
9:00 p.m.
Pacific Time
July 31, 2025
6:00 p.m.
Find out how many episodes will be available to watch in And Just Like That… Season 3 right here.
Where to watch And Just Like That… Season 3 Episode 10
You can watch And Just Like That… Season 3 Episode 10 via Max.
HBO Max is the home to all movies and television shows under the banner of HBO. These include notable titles such as The Last of Us, The Penguin, and Game of Thrones. To begin streaming, fans must purchase a subscription plan from the several offered by HBO Max.
What is And Just Like That… about?
The official synopsis for And Just Like That… is as follows:
“This new chapter of “Sex and the City” follows Carrie, Miranda and Charlotte as they navigate the journey from the complicated reality of life and friendship in their 30s to the even more complicated reality of life and friendship in their 50s.”
The second season of Peacemaker premieres next month. While the first season took place in the DCEU, which ended with 2023’s Aquaman and the Lost Kingdom, Peacemaker Season 2 will now be part of Gunn and Peter Safran’s DCU. Gunn has reassured fans many times that the new season will address the continuity change.
It’s Chris Smith versus Rick Flag Sr. in the Peacemaker Season 2 trailer, as the story for the new season revolves around Frank Grillo’s character, who is now the director of A.R.G.U.S., wanting revenge for the death of his son. Tim Meadows plays A.R.G.U.S. agent Langston Fleury in the show’s next entry, while Michael Rooker appears as Red St. Wild, a hunter who is on a mission to kill Eagly.
The cast of Peacemaker Season 2 further includes Danielle Brooks as Leota Adebayo, Freddie Stroma as Adrian Chase/Vigilante, Jennifer Holland as Emilia Harcourt, Steve Agee as John Economos, Isabela Merced as Kendra Saunders/Hawkgirl, Nathan Fillion as Guy Gardner/Green Lantern, Sean Gunn as Maxwell Lord, and more.
The short synopsis for the new season of Peacemaker reads, “Peacemaker struggles to reconcile his past with his newfound sense of purpose while continuing to kick evildoer butt in his quest for peace at any cost.”
Peacemaker Season 2 premieres on HBO Max on August 21, 2025. The first season and The Suicide Squad, meanwhile, are currently available to watch on the streaming platform.
Originally reported by Brandon Schreur at SuperHeroHype.
HBO Max’s new TV and movie release schedule for July 28 to August 3, 2025, includesWorst Cooks in America Season 29, Kung Fu Panda 2, and The Nun (2018).
On July 29, Worst Cooks in America Season 29 drops on the streaming platform. The reality show sees chefs mentoring teams consisting of amateur cooks. They receive training from the chefs to improve their skills and avoid elimination at every round.
Further, the animated comedy film Kung Fu Panda 2 will be available on HBO Max this week. It focuses on Dragon Warrior Po’s battle against Peacock Shen, who wishes to destroy Kung Fu and rule China.
Also coming to HBO Max on August 1 is The Nun (2018). The horror thriller follows a priest and a novice visiting a Romanian church after a nun there passes away under mysterious circumstances. However, things turn upside down with the presence of an evil supernatural force haunting the place.
New HBO Max releases for July 28-August 3, 2025
Below are all the new TV shows and movies being added to HBO Max from July 28 to August 3, 2025
Tuesday, July 29
Worst Cooks in America, Season 29 (FOOD Network)
Thursday, July 31
Don’t Hate Your House with the Property Brothers, Season 2 (HGTV)
Friday, August 1
Alien: Covenant
Barbershop (2002)
Barbershop 2: Back in Business
Couples Retreat (2009)
Diary of a Wimpy Kid: The Long Haul
Enter the Warrior’s Gate
Get a Job (2016)
Gremlins 2: The New Batch
House Hunters International: Volume 9, Season 203 (HGTV)
Mephisto is a villainous character created by Stan Lee and John Buscema who made his official Marvel debut in 1968’s Silver Surfer #3. He’s played a prominent role in many comics storylines over the years, while he recently made his first MCU appearance in Ironheart, a show where he’s portrayed by Sacha Baron Cohen.
While Marvel Studios fans wait to see what project Mephisto shows up in next, an epic new figure featuring the character sitting on a devilish throne is now being released.
What does the Mephisto Marvel Legends figure look like?
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
Photo Credit: Marvel Legends
A description of the figure reads, “Ruling the Stygian deep atop his throne, Mephisto, Lord of Evil, schemes to capture the immortal souls of men. His machinations have pitted him against some of the Marvel Universe’s mightiest heroes and its most vile villains. You don’t have to sell your soul to bring the excitement and wonder of the Marvel Universe to your collection with Hasbro Marvel Legends Marvel’s Mephisto figure! This collectible 6-inch scale Marvel figure is detailed to look like the character from Marvel comics. The officially licensed Mephisto action figure is fully articulated with poseable head, arms, and legs.
“This Marvel action figure set comes with 4 accessories, including an alternate head, 2 alternate hands, and a sword; plus soft-goods loin cloth, cape, and an immense infernal throne. Hasbro Marvel action figures’ 6-inch scale makes them great for posing and displaying in fans’ collections. Reimagine Marvel comics-inspired scenes of Faustian bargains on your shelf with Marvel Legends action figures (each sold separately, subject to availability).”
The approximate retail price for the figure is $79.99. It will be available in fall 2026, while pre-orders will go live at 5 p.m. ET on Saturday, July 26, 2025, exclusively at Hasbro Pulse.
Many fans want to know how much Chappell Roan ticket prices will be for her newly announced pop-up shows in the US. The popular artist revealed the Visions of Damsels & Other Dangerous Things tour for three cities in the fall: New York City from August 20-24, Kansas City from October 3-4, and New York City from October 10-11. Interestingly, this concert series will not use the typical ticket sites, like Ticketmaster, because Roan wants to keep “ticket prices as affordable as possible” in an Instagram post. Here’s how much a ticket is expected to cost for her 2025 concert tour.
What are the ticket prices for Chappell Roan’s US concert series in 2025?
Ticket prices for Chappell Roan’s US pop up shows in 2025 are expected to range from $100 to $150 depending on the venue and seat location.
These prices are based on the prices for a ticket to her appearance at the Royal Highland Showgrounds in August 2025. A ticket for general admission cost around £73 (or about $100 USD) and a VIP ticket cost about £110 (or about $150 USD).
That said, this is the first time Chappell Roan is trying out a new ticketing system and US concert prices tend to be more expensive than those in Europe. But we’re hopeful that the tickets will be on the affordable side, as the Fair AXS system is supposed to be able to weed out bots and scalpers according to Roan’s Instagram post.
To score a ticket, fans will need to sign up for the pop-up shows on AXS, though they will need to do so soon since registration ends on Sunday, July 27 at 11:59 PM ET. It should be warned that the site will perform a credit card check to ensure that customers are really humans and not bots.
The site will then select customers at random between August 5 and 7 and then be sent an email with a private purchase link where they have a chance to purchase up to four tickets. Only one registration is allowed per show date and all duplicate registrations will be automatically disqualified.
Netflix’s The Sandman has finally concluded, with the riveting ending of Season 2 drawing curtains on the story of the fan-favorite DC character. In the wake of the grand finale of The Sandman, showrunner Allan Heinberg has come out to explain the decision to cast a Game of Thrones alum in the final two episodes of Season 2.
Jacob Anderson’s casting in The Sandman Season 2 ending explained
In a recent interview, Allan Heinberg opened up about why he recruited the Timestalker actor to play Daniel Hall, or the new Dream, following the death of Tom Sturridge’s Morpheus in the The Sandman Season 2 ending.
“Jacob brings joy wherever he goes,” the veteran screenwriter noted to TV Insider, before adding,” Jacob is so earnest, but not naive, and open. You saw in that scene with Lyta — [he is so] very moral, and he brings such grace to the role, and such humanity to the role, which, as you saw through the series, Morpheus struggled with the entire time.”
Heinberg then explained that he specifically chose Jacob Anderson to appear as Morpheus’ successor, Dream, in The Sandman Season 2’s ending by looking at “the variety in his work, seeing the core of his work, how intelligent he is, and how emotionally available he is.”
Turns out, “Jacob was already a huge fan of the comics, huge fan of Season 1,” and interpreted Heinberg’s desire to cast him as Daniel, “the highest form of flattery.” As such, Allan Heinberg ultimately “wrote the script [for Season 2] with Jacob in mind.”
Anderson dons the mantle of Dream when Sturridge’s Morpheus decides to face the consequences of murdering his son, Orpheus, leaving Daniel Hall as his successor.
While Season 2 has officially spelled the ending of The Sandman, Heinberg revealed that he has thought of a sequel installment centered around Jacob Anderson’s iteration of Dream. “I designed the end of this season with a possible Season 3 in mind, because I love Jacob so much that I just wanted to continue watching him play this part forever,” the Wonder Woman screenwriter remarked.
The two seasons of The Sandman are now available for streaming on Netflix.
Originally reported by Apoorv Rastogi on SuperHeroHype.
The Fantastic Four: First Steps has already surpassed Marvel Studios’ biggest movie from last year, Deadpool & Wolverine, at the Paris box office. The Pedro Pascal and Vanessa Kirby-led film is opening in theaters on July 25 and is one of the most anticipated movies of 2025. Moreover, The Fantastic Four: First Steps is set to commence Phase 6 of the MCU.
The Fantastic Four: First Steps has the biggest opening day in Paris
Based on a recent post on X (formerly Twitter), The Fantastic Four: First Steps has outperformed Deadpool & Wolverine by recording a bigger opening at the Paris box office.
The post by @BoxOfficefr reads, “#TheFantasticFourFirstSteps largely leading the #Paris2PM openings with 2,714 admissions in 22 theaters.”
— Le Box-Office des films en France et dans le Monde (@boxofficefr) July 23, 2025
Additionally, a post on Reddit stated, “Fantastic Four: First Steps had a better opening this morning in Paris than Deadpool & Wolverine at the same time last year!” This is even after the movie has received fewer screens than the Ryan Reynolds and Hugh Jackman film. Deadpool & Wolverine opened in a total of 25 screens and sold around 2,626 tickets in Paris at 2 PM.
However, the post also noted, “These are just early numbers. Things could still end up being a bit different by the end of the day. But still, these are pretty interesting numbers to look at…”
The Fantastic Four: First Steps has also recorded the highest ticket sales of this year till now, surpassing movies like Superman, Lilo & Stitch, and F1: The Movie. It also recorded the best ticket sales among the other Marvel movies that came out this year.
While Thunderbolts* sold 1,512 tickets in 18 screens during its opening in Paris, Captain America: Brave New World sold 1,372 tickets, but the number of screens is unknown.
According to Deadline, The Fantastic Four: First Steps is also tracking to make around $190 million to $210 million at the global box office in its opening weekend.
Originally reported by Ishita Verma on SuperHeroHype.
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